Children Need Pause and Rewind Buttons

Well, we finally did it! The hubby and I survived high school. We made it through all four years and came out the other side relatively unscathed. There were some bumps and bruises along the way in the form of forgotten homework, mad dashes to school with hastily packed or forgotten lunches, and most recently, the delivery of two loads of cardboard that entirely filled the back of hubby’s SUV to the school our son attended in the afternoon for Civil Engineering and Architecture. Oh, did you think I meant hubby and I survived our own high school years? No, no, no… I’m talking about our son, Joshua, and how despite all the snark thrown our way (and that’s when he was actually communicating) we are now the proud parents of a high school graduate.

Man, did that go quickly. I put him on the bus for kindergarten on Monday, and he graduated on Friday? When I dressed him for school, he had on shorts, a striped t-shirt, and sneakers that lit up when he ran. He loved those shoes. What came home that last day wore a backpack bigger than he was when he started school and sneakers longer than the bus. His sense of fashion didn’t change much. He still leans toward t-shirts, but if you ever see him in shorts it’s only because someone pulled a prank and cut off the legs of the sixty dollar jeans he conned out of his grandfather.

I have vague memories of a little kid who never ordered anything to eat except “chickie fries” suddenly being the young man whose stately walk into the auditorium and perfect pivot at the aisle deposited him at his seat where he promptly clasped his hands behind his back like a Marine standing at attention. And after the ceremony, the only way I could spot him among the sea of blue and white caps and gowns was to look for the face that had once been soft and round and was now square and chiseled. I can recognize that jawline anywhere.

Leap past the graduation dinner at his favorite restaurant to all of us fast asleep in bed that evening. Everyone except me because my mind and heart aren’t quite sure if I’m supposed to be happy or sad. I believe that mix is called melancholy. Add to it a dash of “what do we do with this young person now,” and you will be standing outside the fence of the ballpark in which hubby and I are now playing. Perhaps you are familiar with this scenario, but Joshua is our one and only. We won’t even have the opportunity to apply what we learn to another child.

As I sit here typing this, watching him brush his teeth in the kitchen sink like some kind of animal, I have to wonder how we did with him. Is he truly ready to be unleashed on the public? How much will his behavior reflect on us? Is it too late for Catholic military boarding school in Siberia? Does he love us? Does he even like us?

I suppose we could have done this instead of that. More of A and less of B. Chosen what was behind curtain one as an alternative to taking what was in the box. Would it have made a difference? Life is not a dress rehearsal, so who can really say? I made a promise to infant Joshua to never lie to him no matter how many times he asked me the same question as a toddler (it’s true that airplanes don’t fly when it’s too cold). I tell teenage Joshua that I’ll pay for any therapy needed due to emotional scarring endured while cleaning his bedroom.

Sometimes I wish we had a crystal ball so we could see where all this is heading because it feels like we’re riding a roller coaster in the dark. There are times when I think that’s a good thing because there will be no witnesses when I push Joshua out of the car. But most days, I cling to him in case there is a sudden drop up ahead that none of us can see. We know he wants us to loosen our hold on him for the thrill of rising out of the seat on the dips and hills. And we will… once we check that he secured his seat belt for life.

The Artist’s Corner – Taking Pictures With Rosita Larsson, Photographer

Several years ago, a collection of artists pursuing various art forms found themselves in a group message on Twitter complimenting each other’s work and wishing each other a great day.  This went on for some time, and out of this a few became particularly close.  They followed each other on Facebook and via blogs, and their friendships became closer.  Although they’ve never met (their relationships are still bound up in social media), their separation didn’t reduce the fondness they had for each other or the appreciation they expressed toward the individual’s chosen art form.

As one of those artists, I’d like to feature my friend, Rosita Larsson, and her amazing skill as a photographer.  Rosita was interested and willing to answer my questions for The Artist’s Corner.  The little bit of language barrier between us wasn’t a problem at all.  That’s probably because her English is much better than my Swedish!  Without further ado, allow me to introduce Rosita Larsson, photographer.

Tell me a little bit about yourself.

My name is Rosita Larsson.  I am a bighearted, international, Swedish autodidact and artist born in 1956.  I am the mother for four and grandmother of five.  I am a very kind person who expresses what is on her mind.  In my soul and heart, I hold the freedom and beauty that is art.  Creation has been a driving force and a salvation my whole life and through my own personal illness as well as my career spanning more than thirty years.  The best addition to creation is to put a smile on someone’s face, to inspire, and to help out!  I have always created in some form and began exhibiting intermittently for over thirty years, both as an individual and in group exhibitions.  I’ve exhibited worldwide in places such as the United States, the United Kingdom, Brazil, Bulgaria, and France.

Do you put yourself into your photography?

I put my soul into my photography just like when I create.  And I have the eye as you might say.

What has your experience been?

I see myself as an artist first; one who photographs and does artwork, like painting or drawing.  I’ve always created in some form.  I worked in a laboratory with perfumes and essences, worked in stock and stores that sold beautiful things and clothes. I have worked with kindergarten children doing arts and crafts.  I’ve worked in offices, the latest being the Economy Department.  I’ve created brochures, layouts, etc. outside of my regular office work.  These are my ‘livelihood projects,’ and as I was the sole provider for my family, I created and participated in exhibitions in my free time.  In addition to the above, I’ve worked as a class Ma/PTA worker, a leader for leisure activities, in theater groups, and union work.

Did your work experience lead to the pursuit of photography?

I was always the one who photographed all the conferences, company meetings, my family first and foremost, and quite a lot of people.  I seldom photograph people now days except my family, of course.  But I held back my passion for photographing abstracts and flowers, etc.  It was very expensive with film in addition to the specific camera I wanted.

How did you develop your passion for photography?

From when I was eight years old, I loved to photograph (borrowed my grandmother’s Kodak Instamatic).  I got my first camera a couple years later.  Since then, photography has been one of my major interests.  But things happen, and I had to limit photography to my wonderful family, a flower, or a stone or brick wall now and then.  I have always written, created, and primarily painted and drawn, but when the digital camera made its entry, I began more and more to photograph.  And guess what I always have with me:  my camera.

What or who is your inspiration?

Everything!  The experience rich life, and then I have a passion for flowers and architecture.  I see motivation and beauty in almost everything which makes the ordinary seem extraordinary.  I look upward and see angles to construct photo art.  I see subjects everywhere to the extent that it can be difficult which is why I prefer to be alone when I photograph.  When I’m with others, I give them the focus, show consideration, and listen, but when I photograph, I give the objects the focus!

What do you enjoy photographing?

Multiple POVs in reflections, in water, mirrors, windows.  Wherever I am on earth, I always have a camera with me.  It’s like a treasure hunt:  which designs, patterns, funny things, or flowers does my eye find today?  It doesn’t matter if it’s on a trip abroad or to the local grocery store; the treasure hunt is always there.  This applies to all aspecst of my life, too, when I’m in the woods searching for sticks and material to create with, searching for the best recipes or creating my own personal best.  At flea markets, secondhand stores, and vintage shops, I’m always looking for treasures.

That’s why my photos can be about almost anything.  Some things are my absolute passion such as flowers and stone in all forms (such as walls), water in all forms, and buildings (especially old houses and churches).  I get a lot of inspiration for my photographs, and a lot of people get inspired by my photographs.  It’s a win/win situation!

My photographs are completely true as you see it.  I don’t use Photoshop or other programs, no manipulation, alterations, or processing.

Where can someone find you online?  Do you have a website?

You can find me here:  Rosita Larrson

or here: Rosita Larsson Art Collections

In which contests have you competed?  What awards have you won?

Awards won in Design/Crystal Chandelier/Krebs 2006

Botanical and floral photographs have won awards in Sweden 2012

Photographers Forum/Sigma USA Awarded in 35th Annual 2015

Premio Drops from the World, National Civil War Victims Association

Culture and Peace Education/Honorable Mention

Witness of Peace and Solidarity, Italy, September 2016

Attestato di Meriot Artistico 2012 – 2017, many exhibitions in Italy

Conferisce il titolo di laurea ad honorem, Globalart Galleria, Italy, June 2017

Have you been featured in a magazine or other publication?

Libro Co. italia

The book is in English.  I have three works in this anthology along with other poets and artists from several countries.  The purchase helps supply filters to purify water in Bangladesh.  So far, it’s yielded pure water for three villages.

Right now, I am the Featured Artist of the Month in Sanctuary Magazine on the Internet.

Do you take photos for people?  How does a client contact you?

Yes, and I participate and use my art in different charities.  It’s a passion!  Potential clients may contact me here:  larssonzita@hotmail.com

What is your process for photographing people?

I rarely photograph people nowadays.  I go into photography focused as if in another world.  It’s calmer and almost like meditation for me.

How is what you shoot for yourself different from what you take for other people?

It’s painting with the camera, so no difference.

Has your work ever been used for commercial purposes?

Not that I know of!

What’s your favorite photograph that you’ve taken?

Oh, dear—so many favs!  I have about 25,000 photos on my computer.  Not all of them are favs, of course, but many of them are in different ways because I photograph many different styles and objects, abstracts, macro, still life, nature, etc., etc.  Three is a charm, so I’ll take one of my still lifes, one macro, and my latest from this summer, a multiple POV/reflection photo.  (View Rosita’s photographers throughout the post.)

What’s your dream photograph?

The Aurora Borealis/ Northern Lights and the pyramids without the tourists.

What’s your biggest complaint with photography?

I take too many photographs, and I see too much motivation everywhere!  Also, I need a meaning with everything, so that’s a paradox.

Would you like to work full-time as a photographer?  If so, how do you see your business growing?

No, but as an artist whether it’s with a camera, brush, or pen.  I would like to do book illustrations and covers for example.

Do you work alone or with a partner?

Alone, but after I have done my artwork, I like to work on different projects with others.

Welcome to Mayfield House

220px-WalterburleygriffinOne of my favorite topics of research for my novel, The Secrets of Dr. John Welles, was for an architect to build Prudence Welles Mayfield’s mansion.

I started by Googling architects for the era in which her house was built. The list, which I believe came up on Wikipedia, gave a brief synopsis for each architect. There were many interesting choices including Frank Lloyd Wright. As appealing as I find Mr. Wright’s style, I didn’t want someone quite so famous or well known for my novel. I’m not exactly sure why.

I kept reading through the list of architects, noting several who were of interest to me, ceiling-lights-mueller-1when I came across Walter Burley Griffin. I wish I had the original paragraph regarding Mr. Griffin. Between what I read and pictures of him I found online, I knew he was perfect for building Prudence’s dream home.

Adding to my choice of architect was Griffin’s wife, Marian Mahoney Griffin. Marian was an outspoken, artistic woman. She was the second woman to graduate with a degree in architecture from the Massachusetts Institute of Technology and the first licensed female architect in history. These schwartz_rear1facts alone made her a believable choice for my forthright character, Prudence. I imagine these two ladies would have worked wonders together.

The next thing I needed to do was locate a neighborhood in Maryland that would be suitable for Prudence’s fabulous mansion. Again, after researching several well-to-do areas where her home could be built, I decided on the community at Guilford. This is one detail where I took some liberties in my novel.tolles

You will most likely not find a home such as those built by the Griffins in a neighborhood like Guilford, however, Prudence wasn’t the type of woman to be told no. If she wanted her house built in Guilford, then the developers of the neighborhood would have had to resign themselves to the fact that her home was going to be built in Guilford. As mentioned in my novel, a generous donation from her husband, Wallace, toward the development of streets and parks went a long way to smoothing over her demands.

The last detail I needed for Prudence’s mansion was a name. I hoped to come up with something memorable and elegant like Falling Water. Even though the home I created was fictional, I wanted it to have an impact upon my readers to the degree that they would always remember the vannostrandsprawling mansion as if they had walked through it themselves. Maybe based on the fact that I used real architects and a real neighborhood, they would even go in search of data to see if the house actually existed.

I wish I could find my original, handwritten manuscript and/or notes so I could tell you some of the names I worked on for the mansion. Thinking about them now, I have to laugh to myself; they were that ridiculous. Of course, that’s why we writers edit, right? In the end, I settled on Mayfield House for Prudence’s home because the design, building, and habitation thereof really were all about her. In its simple elegance, Mayfield House proved to be the best choice.untitled (6)

I have included several pictures within my post to give you a feel for what Mayfield House would look like and a link to other homes built by Walter Burley Griffin. I hope you enjoy mentally walking through Prudence’s home. Please remember to wipe your shoes at the door. (Prudence’s words, not mine.)

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