Are You a Pantser?

There is much debate on which way to write a novel: Outline/Plot vs. Pantsing. Those who fall on one side or the other can provide plenty of evidence to support their chosen method of writing that shows why their way is best. So far, I’ve never seen the conversation turn into an argument. The discussion usually ends with one side giving the other a sideways, narrow-eyed, head-tipping look of pity for not seeing the error of their ways. It’s actually quite funny.

I find this debate always surfaces shortly before NaNoWriMo starts. Janalyn Voigt of Live Write Breathe offers advice for those who might consider giving pantsing a try. In my opinion, the points mentioned are only the beginning of pantsing. Since it’s not a formal writing style, I can’t imagine too many rules actually exist. Admittedly, I’ll be looking for them. Guidelines, however, probably abound.

I believe I fall closer to the pantsing end of the writing spectrum but well short of insisting it is the only way to write. I’m not against outlining, but like most things in my life, I never limit myself to one of anything. I have outlined scenes for my novels to use during the editing process and when research needed to be conducted. Otherwise, I write by the seat of my pants.

So, whether you outline/plot or pants it, I hope you enjoy Mrs. Voigt’s suggestions from her blog post Pantsing: Writing by the Seat of Your Pants.

  1. Quiet your inner editor. Without stopping to edit, you’ll complete your manuscript more quickly. Speed is important because you’ll be carrying a lot of details in your head. The longer it takes you to write the story, the harder it will be to remember them all.
  1. Write in marathons. Rather than writing at a steady pace, clearing as much uninterrupted time as possible facilitates your writing the first draft quickly. This prevents the disruption to your focus that even a small interruption can bring.
  1. Don’t let the story go cold. Sometimes you can’t avoid being called away to work on other projects, but afterwards it can be very difficult to pick up the story thread.
  1. Try to have at least some research done in advance. You probably won’t know everything you’ll need to research at this point, but the need to stop and research can throw off a writing sprint. Guarding against that happening as much as possible is a good idea.
  1. Don’t stop for research that won’t determine the plot direction. Only stop to research vital information. Bold print passages you need to check and do the research on the second pass.
  1. When you get stuck, skip to the next scene, if possible. Mark the uncompleted scene or passage to fix in your second pass.
  1. Jot things to fix on a notepad or on the first page of the manuscript. Write a quick reminder of what needs fixing while you’re immersed in the creative process and you’ll thank yourself during the editing process.

 

Advice on Character Description

Nine times out of ten, when I find a piece of good writing advice on the Internet, the link directs me to K.M. Weiland’s website, Helping Writers Become Authors. And just as many times, I’m in agreement with what she has to say.

Like a carpenter stocking his toolbox with quality tools, my goal is to fill up my Writing Toolbox with valuable advice, tips, suggestions, etc. In turn, I want to share what I found with people who are seeking assistance with their own writing.

Most of the posts I put in my Writing Toolbox have been created by the owners of the sites to which I link. I will always indicate the website/blog name and owner (if known). When I create the post on my own, I’ll let you know.

So, with that being said, it is my very great privilege to share K.M. Weiland’s advice on ‘4 Ways to Make Readers Instantly Loathe Your Character Descriptions.’

The Boxes in Which We Put Ourselves

The Writer Has the Last Word

The Writer Has the Last Word

It is my very great pleasure to share an article by Mela Saylor of The Greater Canton Writers’ Guild, Inc.  The following article was featured in the September newsletter.  Information regarding the Guild can be found at:  http://cantonwritersguild.org/

Mrs. Saylor’s personal blog can be found at:  http://paintandpens.blogspot.com/

The Boxes in Which We Put Ourselves ~ Mela Saylor

First time writers are always told “write what you know” and they dive into their pool of knowledge head first, taking their first tentative strokes with their pens. But after a few years and many laps of swimming in that subject matter, writers may feel the need to expand. To be brave, writers must get out of the pool and take a dive into the ocean.

Explore new topics, learn new things. 

The world of writing is vast, and I find that exciting – and there’s no need to stay on the same topic all the time. To be honest, your readers might be bored hearing the same topic all the time. Understandably, writers may discover they have a tendency to stay within certain comfort zones. But it is always good to step out of what we so often find ourselves writing. Learn something new and play with ideas – push them around, see how far they’ll stretch. We do need to keep in mind that there is a difference between having a recurrent theme and redundancy.

Writers may wish to ask themselves what they have learned as a writer this past year – your writing needs to grow right along with you. If your writing doesn’t grow, if it stays the same, it becomes stale. Make a promise to yourself to take a chance or two with your writing style and subject matter, explore and reach out into new horizons. Starting something new – topic, idea or story line – is exciting and keeping to what you’ve done before is limiting. Take a chance. Who knows where you’ll go.