Art Through the Ages

I have lived long enough and read widely enough to realize that in every era there are writing rules that the current generation loves to impose on writers, especially the new and up-and-coming. And I chuckle to myself.

I laugh first of all because disclaimers are given regarding writing rules and styles that came before, and there is a modicum of tolerance and/or permission granted should a writer (new or established) tiptoe toward employing one of these old relics. Warnings are also issued that you may be trying to appear clever or as a trailblazer when, in fact, you’ll just end up looking like a newbie, and nobody wants that. Right?

The second reason I’m humored is because yet again, through the lens of my gifted abilities and chosen profession, I see the striking similarities between writing and Torah observance.

Torah is timeless. In every generation, we look to see how the commands should be applied to our ever-changing lives in the moment. There are no loopholes in Torah, but there is an abundant amount of grace as we work out the commands in our lifetime.

Writing is the same. In every generation, we look to see how rules should be applied to our writing to convey our story, our message, in the best possible way.

Sadly, in Torah observance and writing, you’ll be told that certain commands/rules are old, outdated, unfashionable, and many other such detrimental remarks. I urge caution against discarding what came before, especially if doing so is simply for the sake of appeasing an audience that has lost the ability to slow down, make a significant effort to employ mental resources, and appreciate the energy that has gone into the creative process.

I suggest building on the foundation of what came before to see how it applies to your life or writing today. Specifically for writing, listen to the character who requires the long sentence to express exactly what she needs to say. And don’t reject the archaic word in the mouth of the character who uses it to pack a punch in his statement. If your climax comes at the beginning of your story, then spend the rest of the time detailing every character’s reaction to it. Or how it affected their lives. Or how it led to another inciting incident.

So, whether it’s your person or your writing, don’t be too hasty in discarding the structures of old. Instead, infuse both with life, and joy, and beauty, and balance, and growth. These elements are essential to creating a great work, whether it’s you or your writing.

Appreciation For vs. Appreciation Of

Appreciation For vs Appreciation Of

Today’s post is a simple reminder on when to use appreciation for versus appreciation of. We all believe we know the rule until that split second when we’ve been tasked with something like the engraving of a plaque to commemorate a co-worker’s achievement. The shop clerk, who usually isn’t an English major and provides absolutely no help at all, stares at you blankly, waiting for you to decide whether the plaque should read appreciation for a job well done or appreciation of a job well done.

Because I care enough to not let you return to the office in shame, I’m going to help you out with this little dilemma. Both are appropriate under different circumstances. Appreciation for indicates a love, an understanding, a feeling as in, “He has a great appreciation for modern art.” Appreciation of indicates a thankfulness, an acknowledgment as in, “The plaque was awarded in appreciation of Bob’s service to the organization.”

I hope this lesson is a helpful reminder. If you should ever forget how to use appreciation for and appreciation of, at least remember my blog address, www.hlgibsonauthor.com, where you’ll find all the answers to life’s annoying problems. Well, at least the ones that have to do with writing.

He said, She said – He complained, She admitted

And the debate rages on. I’m talking about using dialog tags other than said and asked. It wasn’t so long ago that said is dead seemed to be the rule of the day. While everyone agrees that too many dialog tags are annoying, people tend to waver on whether or not to stick with said and asked or mix it up with more descriptive verbs such as complained, boasted, and grumbled.

A few tags that appear to slip under the said/asked radar include whispered, yelled, and shouted. I suppose that’s because they are either extremely passive or aggressive; on opposite ends of the said/asked spectrum.

Then there is laughed and chuckled. People will argue that you can’t laugh or chuckle while speaking; it only occurs before or after a person is done talking. I would have to disagree based on personal experience. Laughing while talking doesn’t have to hinder the speaker. Short sentences can be spoken with a lilt to one’s voice that I would definitely describe as a laugh.

So join the debate. I want to hear from you on this subject. Do you think this is a hard and fast rule or a rule to be broken at the writer’s discretion rendering it just a guideline?

UPDATE:  Last week I sat in a seminar with a professional editor who actually suggested using dialog tags beyond said and asked.  She agreed that too many are burdensome to read, however, she pointed out how they help a reader keep track of who is speaking in a long conversation of two or more people.  I maintain that when used correctly, dialog tags beyond said and asked do not distract the reader.  Rather, they enhance the story and the writing.  In either case, I’d still love to hear your opinion, dear follower!

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