Tag Archives: Writing

Encouragement vs. Insult

July 13, 2015 By in Writing Advice, Writing Toolbox Tags: , , , , , 2 Comments

I believe one of the cruelest insults a person can level at someone is to refer to that person as an amateur. At one time, we were all new to whatever it was we were pursuing.

Before the advent of social media, where everything a person does is on display from day one, some people had the opportunity to hone their craft to perfection without being in the constant spotlight, thus looking professional and well established when they joined social media. Stop and think for a minute: This is only how it appears.

GiveBack_webWe may never see every person’s humble beginnings, but rest assured every person has one. Instead of resorting to insults, privately distributed constructive criticism is what the situation calls for. If you, the commenter, don’t believe you can do this, simply refrain.

I’m not suggesting we become a world of wimps who shrivel at every negative comment. Just remember to be tactful and professional with your advice. It is possible to build people up even as you’re pointing out what they did wrong.

Share both your positive and negative experiences, offer your resources, give as well as take, and let the new person stand on your shoulders until they are strong enough to stand on their own two feet. It’s amazing how great you’ll feel when you do.

This advice also applies when helping someone who has been at a particular craft for a while and may still need instruction.  Again, encourage them and watch your fellow artist thrive under your beneficial tutelage rather than recoil from your scathing remark.

I offer the example set by James Michael Kahle, master glassblower, as the standard for how one should give back to those who are new to any form of art. Whether it is glassblowing, photography, writing, or painting, Mr. Kahle’s attitude toward approaching art and teaching others is inspiring. In fact, many of the lessons he applies to his art can be applied to life in general.

Some of Mr. Kahle’s views featured in the PBS documentary about his glassblowing, Turning Fire Into Ice, include his commitment to his art, his persistence when accepting challenges, listening to your art versus popular opinion, not dwelling on a setback, and, the most impressive, giving back and/or instructing future generations for free.

The world would be a considerably better place if we all adopted Mr. Kahle’s belief that if you don’t give back then you don’t have the right to take and what would the future be if we don’t give back now?

Baring My Writer’s Soul – Part 10

July 8, 2015 By in Writing Advice, Writing Toolbox Tags: , , , , , Leave a comment
Release the books and free your writing!

Release the books and free your writing!

Writing is art, and art is messy. When I realized this, my inner drill sergeant, who fears disorganization, freaked out. Then there is the side of me that yearns for the freedom that comes with creating art, to not have to worry about meeting arbitrary deadlines I’ve set for myself, to not fear the loose ends of my creative process. In short, order and chaos are at war in my brain.

Further frustrating my creative writing process is the fact that I stopped reading to devote time to my writing. Funny thing: the writing dried up.

I’ve heard it said more than once that to be a good writer you must read. That shouldn’t have been a problem for me since I own a private library and consume books the way a starving person attacks food. When I read, everything else fades into the background.

What I need to do is apply my love for books and the way I approach reading to my writing life. The problem is that I’m so structured in everything I do, my attitudes toward books and/or reading isn’t going to help my writing very much if I don’t learn to cut loose just a little.

Here’s my list of things I need to do:

  1. Read outside my favorite genre, historical fiction
  2. Quit lining up my books on shelves like obedient soldiers, take them with me everywhere
  3. Travel with a notebook to capture anything and everything that pops into my head because it may prove to be beneficial to my writing
  4. Quit deluding myself that I’ll ever have everything done all at once

And now I’m laughing at myself because my list is perfectly numbered and ordered. The important thing is that I recognize my need to lighten up, enjoy my writing, and live a peaceful life.

Write Happy!

Description-A Writer’s Friend or Foe?

June 1, 2015 By in Writing Advice, Writing Toolbox Tags: , , , , , , , , , , , , , , , , , , 3 Comments

dearada_typepad_com_dear_ada_images_2008_01_15_experience_261_artFellow author Mark Tilbury tossed out a question that is often on my mind as a reader and writer. In his post, Have Books Lost Something With Their Lack of Description, Mark asks us our opinion on today’s style of writing.

We’ve all encountered the “massive blocks of descriptive prose” to which Mark refers. Sometimes they truly are too long, too irrelevant to the story, too purple, etc., etc. I have skimmed such passages in search of the storyline and/or dialog that would put me back in the story.

However, because we’re all friends and adults here, I’m going to say that I disagree with the notion that description is informative but unnecessary. I hear all the time that the reader shouldn’t be led around by the nose; he/she should be given the opportunity to imagine the story. As an avid reader, I can honestly say that I have never felt this way about descriptive writing. On the contrary, my imagination was enhanced and grew because of the description I read including that written about journeys and the passage of time.

The key is that writers need to learn the perfect balance between too much and enough, the fine line between well-written, well-placed prose versus that which is encumbering, unnecessary. This seems like a daunting task, but I believe it can be achieved by not reducing writing to a formulaic method. In doing so, authors will elevate writing back to the level of artistic recognition it deserves.

85806_Ashford_1_122_526lo_122_526loI have never read Stephen King’s book, On Writing, but I would have to agree that abundant description about a character’s acne would be tedious. If that acne-plagued character traveled by canal boat from Pennsylvania to Ohio, then I would love the benefit of description. I would look forward to a word picture painted by the author that draws me in to the sounds, smells, and sights of the trip. It would be a perfect place to introduce traveling companions, a time for the protagonist to reflect, an opportunity to build the tension that so deliciously moves the story forward.

Even if none of the above-mentioned suggestions occur, as a reader I would still enjoy the mental images of traveling with the character, and I believe an important part of the writing would be lost if these well-written descriptions didn’t occur. As Mark mentioned in his post, they are an art form unto themselves. Like all art, value thereof still resides in the eye of the beholder, or in this case, the reader. Well-written description can exist purely for the sake of entertainment.

I have to wonder if writing hasn’t gone the way of food preparation in that we no longer know how to linger over a book in the same way that we forego multiple course meals and choose to patronize fast-food restaurants. I read because I enjoy the slower pace, and while there is a place in my fa9bbdedb5103e7f31a0893eff84ed56reading diet for the occasional literary Big Mac, more often than not, I opt for the balanced meal of description, dialog, prose, and narrative.

Now I don’t want to start a fight with screenwriters because I truly do appreciate their craft. However, using what worked in an action-packed movie and applying it to writing has resulted in fast-paced novels written with the singular hope of being turned into a movie. This has diminished writing for some of us. This influence has led to the removal of poetry and painting (mental images) from writing resulting in flat, hollows stories. Let movies be movies, appreciate them for all that they are; and let books be books, treasures not to be rushed through.

Baring My Writer’s Soul – Part 7

May 18, 2015 By in Books on Writing, Writing Advice, Writing Toolbox Tags: , , , , , , 1 Comment

I’ve really been off my game for the past three weeks. Instead of being a sweetheart and manifesting itself as the lover in the center or the lover on the side, my writing became the school yard bully. (See Page After Page, Heather Sellers.) I could explain that sentence, but it would take way too long. Again, for your own benefit, read the book!

Facepalm GirlI want to write. I want to be published. So why did I let the process of writing terrify me into a near-catatonic state? Good question. The answer is that I treated my writing and/or writing time like an obligation rather than a reward. I ignored the clues that writing can be a scary and lonely process, I let it intimidate and frighten me, and I pushed it aside where it grew into a monster. Bad move on my part.

Writing should be enjoyable. I made the mistake of trying to force my writing life into an unrealistic schedule, treating it like a job. I don’t know about you, but I hate having to go to work. On the other hand, I love to sneak away with a friend to idle away the hours producing fun. It’s not that I don’t want to write; I don’t want my writing to feel like work.

Then I bored myself with writing projects that weren’t actual writing, and I put busy work first. Now don’t get me wrong; I balance my priorities, but I’m learning to do it in a way that allows them to walk hand and hand with my dreams. This way, everybody is happy including me.

There will be days when my writing takes front and center place in my life, but there will also be days when it sits patiently on the side waiting for me to return. And that’s okay because absence makes the heart grow fonder and the muse grow productive. Understanding this has returned me to the pleasure of writing.

Write Happy!

Baring My Writer’s Soul – Part 6

May 11, 2015 By in Books on Writing, Writing Advice, Writing Toolbox Tags: , , , , , , , , , , , , , Leave a comment

untitled (8)I struggled a bit with chapter two of Page After Page because I couldn’t relate to the exact experiences Heather Sellers presented, and her advice seemed to contradict other things I’ve been told, most specifically regarding social media. While she didn’t address social media directly, what she proposed would require a noticeable change in how I handled the various aspects of my author platform.

Rather than allow my resistance to flare, I decided to go forward with closing the gap between my writing life and the rest of my life because I am a writer, plain and simple, whether or not I’m published, all the time, period. I’ll do this by drawing on all the positive writing and reading experiences, thus quelling my fears and doubts. This will be an ongoing process for me. At least I know how to seek out and find quality input.

As for conserving my energy to write, that’s going to require a step back from social media. What an unusual request when we live in an era that is all about social media. How can I build/grow/maintain my author platform if I’m not tweeting, posting, honking, and tooting my own horn, shouting, “Hey, look at me! See what I’m writing?” Whose advice do I take?

Let’s consider the point Ms. Sellers makes when she says that talking about writing all the time means you aren’t actually writing. That’s true. Then there are all the stats on social media to gauge how well we’re liked, or not, which can really make or break one’s confidence. I decided to trust Ms. Sellers and withdrew to a safe distance.

The first couple of days felt as if I didn’t have anything to do. I picked up my pen and wrote, and I listened to the voices of the characters in the book I’m reading, and I treated myself to two new writing books, and I read, and I wrote, and I scratched out what I had written, and I listened to the instruction presented in my new writing books, and I wrote some more.

The best part is I don’t have to tell you what I’m writing; that’s for me. What I will share with you is that Page After Page, Story Trumps Structure, and Fiction Writing Master Class have been phenomenal in breaking through my resistance and writer’s block.

The positive momentum kept me moving forward. In addition to my writing group, I joined a book group online and at the library, and I will be attending two “Meet Your Local Author” events. I know this is going to further enhance my writing because I’m all about the tactile experience.

Never fear, though. I shall not abandon my blog. I’m just tweaking the focus to build a community of reading, writing, interactive friends whose presence in my life goes far beyond that of just follower.

Write Happy!

Baring My Writer’s Soul – Part 5

May 4, 2015 By in Writing Advice, Writing Toolbox Tags: , , , , , , , 1 Comment

untitled (5)Allow me to preface today’s post with a nod to Heather Sellers’ book, Page After Page. As I mentioned in an earlier Baring My Writer’s Soul post, this is about blogging my experience. I truly hope you find something here that appeals to you; however, I strongly suggest that you do yourself the favor of reading Ms. Sellers’ book. Believe me when I say that you don’t want to miss one word of her valuable insight.

With that being said, the following lists are a writing exercise from Page After Page. The simple task jumpstarted my writing when I stalled due to resistance and, I recently discovered, boredom. (Boredom and Burnout: What To Do When Artistic Work Stops Being Fun by David J. Rogers) Even if it’s just a blog post, at least I’m productively writing.

The qualities of my ideal writing guidebook (what is covered):

  • Large, easily referenced grammar and punctuation section with examples
  • Daily writing exercises
  • Visual writing prompts
  • “How to” quality to the book, instructional without being preachy or stringent with rules
  • Info packed, fast paced

The qualities of my ideal writing class (what I learn):

  • How to write a query letter
  • Order of items in an e-mail to an agent, what is attached, what goes in the body of the e-mail
  • Standards of punctuation, grammar, when to italicize, underline, quote
  • How to write in deep POV (my most evil nemesis)
  • The art of good story telling (which I’m currently exploring in Steven James’ book, Story Trumps Structure)
  • How to write in the present tense when something occurred in the past
  • Writing a great first chapter (Again, Story Trumps Structure)
  • The best way to conduct research
  • Answer the question, “Does every story written these days have to follow an outline with nine-point structure, character arcs, pinches, plot points, etc., etc.?”

My best student-like qualities (who am I when I’m learning, my attitudes when I’m loving the act of learning, what do I look like, what do I wear, what do I have in the palm of my hand):

  • Detail oriented
  • Takes fabulous notes
  • Studies diligently, thoroughly
  • Combines book learning/reading with a hands-on experience, admittedly a bit more on the bookish end
  • Listens well
  • Questions endlessly because I like to get things right the first time
  • Loves to learn when it’s interesting, must apply more effort when it’s not
  • Wears casual clothing
  • Writes information (usually on a McDonald’s napkin unless I’m in a formal setting) but will use my laptop if the info comes fast (I type well!)
  • Enthusiastic, passionate
  • Loves to be hooked from the first moment of instruction

As expected with me, the completion of this task prompted more self-analysis leading to admissions and questions:

  • I discovered that I’m afraid to tell people I’m a writer because I believe if I don’t produce quickly, I’ll be viewed as a failure.
  • I feel pressured to publish soon, but I don’t want to crank out garbage.
  • Certain people I’ve engaged in life resent when I do something that they perceive as getting ahead of them, being more successful, so I downplay my achievements.
  • Other than the occasional, “That’s nice,” I don’t feel as if anyone supports my writing.
  • Money factors in to my writing heavily. I make very little working as a substitute at the library, and I feel the pressure to bring in a paycheck especially with the economy the way it is.
  • Is my writing a selfish hobby or a real career?
  • I don’t really feel as if I have a writing ally, no connectivity in the writing world or to another writer.
  • Have I started too late in life to make a go at writing?
  • What do I do when there is no money for writing classes, retreats, programs, conferences?

These are the thoughts that usually accompany me as I sit down to write. Unfortunately, they influence my writing habits. I know that most of them are ridiculous self-doubts, so when they arise, I remember to acknowledge them quickly, and then press on with my writing.

Write Happy!

Baring My Writer’s Soul – Part 4

April 27, 2015 By in Writing Advice, Writing Toolbox Tags: , , , , , 1 Comment

In answer to the question in my last post, “Why am I not learning?” I discovered an answer that is not at all surprising: resistance.

I think I always knew this was my problem, but I hated to admit it. I created a vicious circle in my head that started with fear-born resistance to what I thought should happen versus what actually does happen when I write and/or learn to write. The fear/resistance combination kept me from learning from my new chosen method. There was nothing left for me to do but shut down and stop writing. I tried to claim writer’s block, but even I knew this wasn’t true.

images4GQIRHHZSo how do I reduce the resistance in my life? First of all, expect that it is going to occur in the form of doubts and ego which leads to comparison to other writers. By acknowledging this fact, I’ve already begun to address the issue, and that’s exactly what I want. Second, by dealing with the first concern, I’ll be able to tackle the fear of change which I often perceive as a threat to myself.

I already know doubts, ego, and comparison are counterproductive, so I must quickly recognize this yet again, and press on. Address my good intentions, per Heather Sellers the evil twin of resistance, and press on. Don’t over think the process, and press on. Let go, let down, relax, and write.

Page After Page advises that I learn to listen to my mind without getting sucked back in to all the negativity mentioned above. Just because I do this once doesn’t mean it won’t rear its ugly head again, but when it does, I’ll be ready for it, and that knowledge is very liberating.

Naturally, this self-analysis generated more questions for me.

  1. If I’m not receiving quality instruction, does that translate into resistance on my part?
  2. Are instruction and critiquing/criticism the same thing?
  3. If I don’t rewrite based on someone’s opinion, does that mean I’m resistant?

While I don’t plan on addressing these questions in future posts, I put them out there to see if other writers/authors struggle with these issues. I’d love to receive your feedback on them.

Write Happy!

Baring My Writer’s Soul – Part 3

April 20, 2015 By in Books on Writing, Writing Advice, Writing Toolbox Tags: , , , , 1 Comment

imagesV0ZD86UPMy previous posts established the fact that I was frustrated with my writing and needed a new approach. Guilt over breaking writing rules and procedures threatened to kill my passion. Desperate for a change, I sought help from Heather Sellers’ book, Page After Page.

At this point, I should confess that I usually don’t read books on writing; they are boring. Page After Page is the first writing book that didn’t lecture me. Rather, the book engages the reader as if providing one-on-one instruction.

But enough gushing. The book also makes promises in the introduction, and I am a stickler for making authors fulfill their promises. By the end of the book, I am promised the ability to develop and sharpen writing tricks that will help me stay in my writing chair and get me there in the first place.

Heather Sellers included a quote from Natalie Goldberg’s book, Writing Down the Bones, which states “to do writing practice means to deal ultimately with your whole life.” I like this advice because 1.) I didn’t realize that an unbalanced life would negatively affect my writings, and 2.) This is exactly my request.

The first step in dealing with my life as a whole involves the process of learning how to learn from any class, any teacher, and any situation. It sounds simple enough until I step back and address, “Why am I not learning?”

Ask yourself this question, be honest, and see what you come up with. My own answers, while obviously detrimental, weren’t all that surprising.

Until next time, Write Happy!

Baring My Writer’s Soul – Part 2

April 13, 2015 By in Books on Writing, Writing Advice, Writing Toolbox Tags: , , , , , , 2 Comments

untitled (8)Many thanks to my Twitter friend, Lucy Flint @flintily, for mentioning the book Page After Page by Heather Sellers. I immediately checked it out based on her recommendation, but after reading two chapters, I had to order my own copy from AbeBooks.

The excruciating wait for my book to arrive was lessened by the brilliant idea that popped into my head:   why not blog about my personal experience while reading the book? Immediately, self-doubts arose which was kind of funny because chapter one addresses this issue.

Page After Page is short, action-packed, conversational, “how to” in its voice without being preachy, and applicable to writing as well as other endeavors in life.

I’m inviting you to come on this journey with me, but you do not have to feel obligated to do so. In reading Page After Page, I’m learning from Heather Sellers’ process and picking up useful, relevant information and instruction that meets my writing needs.

If you find something that resonates with you, run with it. If not, don’t feel discouraged; what you’re looking for may be in the next post, by me or someone else, or a different writing book.

Write Happy!

Why You Should Be Writing Short Stories

March 30, 2015 By in Writing Advice, Writing Toolbox Tags: , , , , , , , Leave a comment

Sometimes the attitudes toward various aspects of writing boggle my mind. The two most recent are short stories are not worthy of our attention and the omniscient point of view has fallen out of favor. No sooner will I come across one of these narrow-minded statements, I’ll discover someone being recognized for doing them brilliantly. The same people who make these statements will then laud said brilliant person, and the rest of us flock to be like them. Really?

Today, I’m going to focus on the short story issue. I cannot image chucking any form of writing because the proverbial they have declared it no longer fashionable. What is this, writing high school where we all want to be in the popular clique?

images (3)I am bothered by the fact that frivolous trends, like those that, in my opinion derived from my perspective, define fashion, would also dictate the world of writing. Are we going to allow ourselves to be misguided and limited by believing that everybody should be writing in the same style and format? Or am I wrong in believing that writers are above this?

True, we can grow in our chosen art form, but it would be to our detriment to forget, abandon, or leave untried other styles and forms of writing. There are many reasons why the short story should be explored by the novelist and poet. In turn, writers of short stories will benefit from attempting a novel or poetry. Perhaps this stems from my being a proponent of cross training in the work place or the fact that short stories are where I first tried my hand at writing.

In any case, I hope you enjoy the following posts on why you should be writing short stories. Your feedback on these articles, as well as critiques of my own writing under the Read & Relax tab of my blog, is most welcome.

An Argument for Writing Short Stories

The Power of the Short Story