What You Write is as Important as What You Write

What you write is as important as what you write. No, that’s not a typo. It’s the beginning of something I’d like to discuss with you.

Writing inspiration comes in many ways from many different places, and if you’re like me, it never fails to arrive at a moment when you’re unable to grab a pen and paper to jot it down. Regardless of how you gain inspiration, you now have a great story idea in your head that you know in your heart must be released into the world.

The writing process usually begins with some plotting, perhaps a little research, and maybe a smidgen of editing along the way. Before you know it, you have a first draft in hand.

You love this piece of writing because it’s your creation from start to finish. When you dig in for the fine-tuning, you realize that your WIP could use something. It’s good, but it’s not great like when you first conceived it. Obviously, you don’t want to add superfluous dialog or excessive description that reads like filler. Still, there is something needed.

Hopefully, your writing journey has not led you to the dark side of writing. What I mean is the use of foul language and/or violence in any of its hideous forms as a means of ramping up your story.

One of the promises I made to myself and my readers was to realistically portray life in my writing. I don’t shy away from difficult topics. The tagline on my blog says as much: Writing Life One Word at a Time. With that being said, there are certain topics that, if written about, must be handled carefully and certain expressions that should be used judiciously and sparingly.

I remember several years ago attempting to read a novel about a violent assault on a young woman complete with some of the most callous description I’d ever read. The novel was highly acclaimed, but all I could think was Dear God . . . this very thing has happened to someone’s daughter, and here it is being written about most insensitively for use as entertainment. In addition to that book, there have been many other novels that I stopped reading because the language was so vile and added nothing to the story.

Do these scenarios happen in real life? Of course. Do people spew foul language for numerous reasons? Yes. Can a writer incorporate painful situations and extreme emotion into his/her writing without compromising quality? Absolutely. My point is that if you’re including violence and swearing simply for shock value, then your approach to writing is immature.

Another instance where writers need to exercise maturity is when writing about intimacy. I cannot tell you how many cringe-worthy sex scenes I skimmed until I could locate the storyline again. These books were often tossed aside because most people are especially bad at writing a sex scene.

Before you assume that all I read is smut, please be assured that is not true. Unfortunately, though, examples of what I’ve described slipped into otherwise terrific novels written by good writers. I have been shocked out of an engrossing storyline by such miserable scenes, and I had to wonder if the author had a moment in which he/she lapsed into poor judgment.

Is it because we live in an era where everything—no matter how vulgar, painful, or private—is made accessible that writers have allowed this into their writing? I would implore you to exercise extreme caution regarding what you set before your eyes because it becomes that which you take into your heart and mind. And there are some things that are not meant for entertainment.

To take the beautiful tool that is language, drag it through the mud, and slap it on the page for thrills is the shallow end of the writing pool. I encourage you to write deeper. Use your fiction to shed light on the complicated matters in life but do it without glorifying evil.

Dripping Ink – Questions for Self-critique

The Writer Has the Last Word

It is my very great pleasure to share an article by Caroline Totten of The Greater Canton Writers’ Guild, Inc.  The following article was featured in the September newsletter.  Information regarding the Guild can be found at:  http://cantonwritersguild.org/

Dripping Ink by Caroline Totten

Questions for Self-critique

Do your demons imitate the gods by grabbing and holding attention? (Your demons are ideas that keep poking you in the eye. If the idea arouses laughter, tears, paranoia, fright, curiosity or indignation, etc., you have acquired a point of view, which may boil into a plot.)

Does the plot offer an opportunity to provide fresh insight into the theme? (Ideally, the plot begins with a distress signal in the middle of the story. The action is already in progress and tinged with an emotional element in the main character. Usually, the setting fits the character and supports the viewpoint.)

Is the character(s) consistent in the context of the plot? (Draw the emotional tone from your personal experience and place it in the persona of the protagonist, the main character. The conflict may be psychological, physical, or ideological, or a combination of these elements.)

Here are a few aspects of the reader/author relationship to keep in mind. By being a writer, or hoping to become one, your entire self becomes an instrument to observe and record human experience. When you extrapolate heartache, joy, fear, whatever, and put them into your character, you are actually putting the reader in touch with his emotions. (Numbness, repression, or suppression are emotional factors.)

Psychologically, mystery, or suspense stories excite the mind of the reader.

Horror stories, by a circuitous route, help the reader release his fear.

Adventure stories encourage bravery.

Love stories release hormones that tenderize the heart.

Fantasy encourages imagination by offering another way of perceiving the resolution of conflict even though at the outset, the reader may be looking for escape.

Humor may release attitudes that might otherwise be socially rude or crude.

Actually, stories that contain violence, corruption, and greed may contribute to the reduction of these elements and/or act as a catharsis for the reader.

Reading fiction is not an idle past time. Its factual component may differ from nonfiction, but the result is similar. The point of view alters the reader’s perceptions.   Effective writing heightens awareness of the subject by allowing the reader to participate in the physical and mental experience of the character. Most effective stories show the character in action. In some cases, “thinking” by the character rather than dialogue or confrontation may be the entrance into a story. The approach depends on the genre, your style, and editorial desires. (At times, magazine and book editors don’t know what they want until they see it.)

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