Category Archives: Writing Toolbox

To NaNoWriMo, or not to NaNoWriMo, that is the question

November 17, 2014 By in Writing Advice, Writing Toolbox Tags: , , , , , , , , Leave a comment

I first heard about NaNoWriMo two years ago from my friend who heads our Writer’s Group. The idea of writing 50,000 words (an entire novel) in thirty days was both exciting and terrifying. As luck would have it, I had been kicking around an idea for a great novel. NaNoWriMo seemed like a good way to get the story out of my head and onto paper.

Before NaNoWriMo, I wrote short stories and children’s stories of picture book length. I had never heard of outlining a novel which might have been helpful for my first NaNoWriMo experience. Undaunted, I began writing near the end of the book leading up to the scene that was the catalyst for the whole novel. That’s when I realized I needed to go back to my character’s beginning. My first experience with NaNoWriMo was a jumbled mess.

I reached my goal of 50,000 words but didn’t have a complete novel. There was more to the story than I originally thought. The rest of the year was spent creating those portions while editing and chucking large sections of what I wrote for NaNoWriMo. I began to wonder if my November efforts had all been for naught when NaNoWriMo rolled around again. What to do?

I cheated again. I used the 50,000-word goal to keep writing new stuff my novel needed and editing what I had written last year. Perhaps the Deities of NaNoWriMo would smack my fingers with a ruler for this, but I justify what I did with the explanation that at least I wrote.

This year marks the third NaNoWriMo since I first participated. I didn’t join. I also didn’t use it as a motivational tool for rewrites and editing. I let myself off the hook with the understanding that my schedule and novel were in different places than what NaNoWriMo required. In short, I didn’t have the time and there wasn’t anything new to write or edit to meet the word count. I also didn’t want to start another novel when I already had one under way.  I’m not sorry for having tried NaNoWriMo, and I’ll probably do it again. In the meantime, I shall continue working on my second round of editing and looking for beta readers.

If you’re trying to decide whether or not NaNoWriMo is for you, consider the following article by Christopher Shultz. He’s much more eloquent in his explanation of what one needs to consider before jumping feet first into NaNoWriMo without knowing what it’s all about. I agree with his opinion that one should make NaNoWriMo work for him/her and that it isn’t a ‘must’ or ‘mustn’t’ situation in the life of a writer.

Blood-Red Pencil: Things That Drive An Editor Crazy

November 10, 2014 By in Writing Advice, Writing Toolbox Tags: , , , , , , Leave a comment

Today’s advice comes from The Blood-Red Pencil, a weblog hosted by a team of editors.  The post I’m sharing was written specifically by Maryann Miller, author and freelance editor.  Her post originally ran October 7, 2008.  I know you’ll find her advice is every bit as relevant today.  Enjoy! 

Blood-Red Pencil: Things That Drive An Editor Crazy.

Are You a Pantser?

November 5, 2014 By in Writing Advice, Writing Toolbox Tags: , , , , , , , , , , , , 2 Comments

There is much debate on which way to write a novel: Outline/Plot vs. Pantsing. Those who fall on one side or the other can provide plenty of evidence to support their chosen method of writing that shows why their way is best. So far, I’ve never seen the conversation turn into an argument. The discussion usually ends with one side giving the other a sideways, narrow-eyed, head-tipping look of pity for not seeing the error of their ways. It’s actually quite funny.

I find this debate always surfaces shortly before NaNoWriMo starts. Janalyn Voigt of Live Write Breathe offers advice for those who might consider giving pantsing a try. In my opinion, the points mentioned are only the beginning of pantsing. Since it’s not a formal writing style, I can’t imagine too many rules actually exist. Admittedly, I’ll be looking for them. Guidelines, however, probably abound.

I believe I fall closer to the pantsing end of the writing spectrum but well short of insisting it is the only way to write. I’m not against outlining, but like most things in my life, I never limit myself to one of anything. I have outlined scenes for my novels to use during the editing process and when research needed to be conducted. Otherwise, I write by the seat of my pants.

So, whether you outline/plot or pants it, I hope you enjoy Mrs. Voigt’s suggestions from her blog post Pantsing: Writing by the Seat of Your Pants.

  1. Quiet your inner editor. Without stopping to edit, you’ll complete your manuscript more quickly. Speed is important because you’ll be carrying a lot of details in your head. The longer it takes you to write the story, the harder it will be to remember them all.
  1. Write in marathons. Rather than writing at a steady pace, clearing as much uninterrupted time as possible facilitates your writing the first draft quickly. This prevents the disruption to your focus that even a small interruption can bring.
  1. Don’t let the story go cold. Sometimes you can’t avoid being called away to work on other projects, but afterwards it can be very difficult to pick up the story thread.
  1. Try to have at least some research done in advance. You probably won’t know everything you’ll need to research at this point, but the need to stop and research can throw off a writing sprint. Guarding against that happening as much as possible is a good idea.
  1. Don’t stop for research that won’t determine the plot direction. Only stop to research vital information. Bold print passages you need to check and do the research on the second pass.
  1. When you get stuck, skip to the next scene, if possible. Mark the uncompleted scene or passage to fix in your second pass.
  1. Jot things to fix on a notepad or on the first page of the manuscript. Write a quick reminder of what needs fixing while you’re immersed in the creative process and you’ll thank yourself during the editing process.

 

Advice on Character Description

November 3, 2014 By in Characters, Writing Toolbox Tags: , , , , , , , , 1 Comment

Nine times out of ten, when I find a piece of good writing advice on the Internet, the link directs me to K.M. Weiland’s website, Helping Writers Become Authors. And just as many times, I’m in agreement with what she has to say.

Like a carpenter stocking his toolbox with quality tools, my goal is to fill up my Writing Toolbox with valuable advice, tips, suggestions, etc. In turn, I want to share what I found with people who are seeking assistance with their own writing.

Most of the posts I put in my Writing Toolbox have been created by the owners of the sites to which I link. I will always indicate the website/blog name and owner (if known). When I create the post on my own, I’ll let you know.

So, with that being said, it is my very great privilege to share K.M. Weiland’s advice on ‘4 Ways to Make Readers Instantly Loathe Your Character Descriptions.’

This Old Dog Tries a New Trick

October 27, 2014 By in Writing Toolbox Tags: , , , Leave a comment

I’ll be the first to admit, I’m technologically challenged. I have thirty seconds of patience that usually expires while I’m reading the instructions for whatever it is I’m trying to learn and apply. I know this is shameful, but guess what? I don’t care!

On the other hand, when I finally get some poor lackey from Help Desk Support to answer my questions and explain the process, I’m all smiles and goodwill. When this occurs, I feel like sharing. I also pretend my former grouchy self never existed. Denial, I know, but then I never claimed to be perfect.

So, with that being said, everyone reading this is going to be my guinea pig for a new online tool I’m testing called Sniply. Don’t laugh at me if I’m coming in to this late. Refer back to me being technologically challenged.

There is a link in this post to an outside source. It’s a site I found interesting enough to use for the test. You will be directed to the site when you click on the link. However, in addition to the site, you should see a pop-up link with my profile pic and a button hovering in the lower, left-hand side of the screen. When you click the button, you’ll return to my blog.

I understand this tool will come in handy when your not already reading my blog, however, bear with me for the sake of experiment.  If for some reason this doesn’t work, please let me know! I’m open to advice and assistance with this feature.

Thank you,

HL Gibson, Author

Let the Lion Roar

The Boxes in Which We Put Ourselves

October 14, 2014 By in Writing Advice, Writing Toolbox Tags: , , , , , , , , , , , , , , , , , , , 1 Comment
The Writer Has the Last Word

The Writer Has the Last Word

It is my very great pleasure to share an article by Mela Saylor of The Greater Canton Writers’ Guild, Inc.  The following article was featured in the September newsletter.  Information regarding the Guild can be found at:  http://cantonwritersguild.org/

Mrs. Saylor’s personal blog can be found at:  http://paintandpens.blogspot.com/

The Boxes in Which We Put Ourselves ~ Mela Saylor

First time writers are always told “write what you know” and they dive into their pool of knowledge head first, taking their first tentative strokes with their pens. But after a few years and many laps of swimming in that subject matter, writers may feel the need to expand. To be brave, writers must get out of the pool and take a dive into the ocean.

Explore new topics, learn new things. 

The world of writing is vast, and I find that exciting – and there’s no need to stay on the same topic all the time. To be honest, your readers might be bored hearing the same topic all the time. Understandably, writers may discover they have a tendency to stay within certain comfort zones. But it is always good to step out of what we so often find ourselves writing. Learn something new and play with ideas – push them around, see how far they’ll stretch. We do need to keep in mind that there is a difference between having a recurrent theme and redundancy.

Writers may wish to ask themselves what they have learned as a writer this past year – your writing needs to grow right along with you. If your writing doesn’t grow, if it stays the same, it becomes stale. Make a promise to yourself to take a chance or two with your writing style and subject matter, explore and reach out into new horizons. Starting something new – topic, idea or story line – is exciting and keeping to what you’ve done before is limiting. Take a chance. Who knows where you’ll go.

Literacy and Democracy

October 13, 2014 By in Writing Advice, Writing Toolbox Tags: , , , , , , , , , , , , , , , , , , , , , 2 Comments

Reading and writing, like everything else, improve with practice. And, of course, if there are no young readers and writers, there will shortly be no older ones. Literacy will be dead, and democracy—which many believe goes hand in hand with it—will be dead as well. ~Margaret Atwood

Since I began working at the library, I have seen a decline in the quality of books for children and teenagers.  I have even witnessed a decline in the value of those being read by adults, and it shocks me.  There is very little worth in the written word lately.

My concern is that authors aren’t putting out their best work for the sake of their readers.  I find it hard to believe that some writers are actually proud of what they are producing.  Rather, it seems as if turning a quick buck is the goal.  Again, this is cause for concern.

As a writer, I lay this burden at my own feet first.  My goal is to write a book that will engage my potential audience.  I dream about my novel becoming a classic, but, at the very least, I want to give readers something to chew on mentally.  Even if I create a book that’s just a good story, I work to make sure it’s well written.

What we feed our minds is as important as what we feed our bodies.  I’ll admit that I love a good dessert as much as the next person.  However, even desserts come in varying degrees of quality.  Then again, so does much of what we eat to sustain ourselves.  What I mean is, a diet of garbage from fast food restaurants isn’t going to provide what our bodies need.  I could probably live a better life eating my mother’s homemade desserts all the time, not that I would.

The same is true with what we choose to read.  I can’t fill my mind with endless garbage and expect to increase my knowledge and/or awareness of the world around me.  Too much cotton candy for the brain will render me useless.  I’ll die without anything of value to read.  This is the point where someone will want to debate who assigns value to what is being written and read.

But just for a moment, let’s be logical.  A steady stream of unintelligent reading is harmful.  Like cotton candy, it’s fun for the moment, but it won’t sustain you.  Train your brain to crave the weightier reads the way you teach your body to desire healthy food.  I promise you, there are no negative side effects to nourishing your mind.

As for the link to democracy, even if someone lies to you about a situation, you will know better because you took the time to read and find out.  You will not be led around by the nose.  You’ll be mentally strong enough to meet their attempted deception head on.  You will understand what is being said to you.  What’s more, you’ll be prepared to fight back.

So I implore you:  seek out quality reading.  Treasure it and share it with the upcoming generations.  Write the very best you have to offer.  By providing worthy literature, poetry, screenplays, etc., you will leave a foundation for the youth.  In return, they will know how to take care of you in your golden years as well as prepare for the generation coming up under them.

Dripping Ink – Questions for Self-critique

September 30, 2014 By in Writing Advice, Writing Toolbox Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , Leave a comment

The Writer Has the Last Word

It is my very great pleasure to share an article by Caroline Totten of The Greater Canton Writers’ Guild, Inc.  The following article was featured in the September newsletter.  Information regarding the Guild can be found at:  http://cantonwritersguild.org/

Dripping Ink by Caroline Totten

Questions for Self-critique

Do your demons imitate the gods by grabbing and holding attention? (Your demons are ideas that keep poking you in the eye. If the idea arouses laughter, tears, paranoia, fright, curiosity or indignation, etc., you have acquired a point of view, which may boil into a plot.)

Does the plot offer an opportunity to provide fresh insight into the theme? (Ideally, the plot begins with a distress signal in the middle of the story. The action is already in progress and tinged with an emotional element in the main character. Usually, the setting fits the character and supports the viewpoint.)

Is the character(s) consistent in the context of the plot? (Draw the emotional tone from your personal experience and place it in the persona of the protagonist, the main character. The conflict may be psychological, physical, or ideological, or a combination of these elements.)

Here are a few aspects of the reader/author relationship to keep in mind. By being a writer, or hoping to become one, your entire self becomes an instrument to observe and record human experience. When you extrapolate heartache, joy, fear, whatever, and put them into your character, you are actually putting the reader in touch with his emotions. (Numbness, repression, or suppression are emotional factors.)

Psychologically, mystery, or suspense stories excite the mind of the reader.

Horror stories, by a circuitous route, help the reader release his fear.

Adventure stories encourage bravery.

Love stories release hormones that tenderize the heart.

Fantasy encourages imagination by offering another way of perceiving the resolution of conflict even though at the outset, the reader may be looking for escape.

Humor may release attitudes that might otherwise be socially rude or crude.

Actually, stories that contain violence, corruption, and greed may contribute to the reduction of these elements and/or act as a catharsis for the reader.

Reading fiction is not an idle past time. Its factual component may differ from nonfiction, but the result is similar. The point of view alters the reader’s perceptions.   Effective writing heightens awareness of the subject by allowing the reader to participate in the physical and mental experience of the character. Most effective stories show the character in action. In some cases, “thinking” by the character rather than dialogue or confrontation may be the entrance into a story. The approach depends on the genre, your style, and editorial desires. (At times, magazine and book editors don’t know what they want until they see it.)

Writing What You Hear – Dialect & Accents

September 24, 2014 By in The Secrets of Dr. John Welles, The Weight of Words, Writing Toolbox Tags: , , , , , , , , , , , , 6 Comments

There is a character in my novel, The Secrets of Dr. John Welles, who is Mexican.  For a minor character, Lucia is one of my favorites.  She’s smart, classy, and in charge of all that goes on around her.  In short, she’s the perfect foil for her boss, the intelligent, elegant divorcée, Prudence Mayfield.

Prudence is nobody’s fool, but Lucia keeps her in check when needed. She pulls no punches with her employer and sometimes their conversation is quite spirited. My initial attempts at writing a Mexican dialect were hilarious and amateur. I needed to find a way to convey Lucia’s nationality without her dialog sounding cheesy or offensive.

Assistance came from a video on Howcast by voice and speech coach Andrea Caban. My mistake was that I never consider the posture of the mouth or the musicality of the dialect when writing for Lucia. The breathy S sound at the end of words, the hard R sound, and the nasally tone were exactly what I wanted for my character. How could I put that on paper without writing ridiculous phonetic spellings that would drive the reader insane?  By describing Lucia’s accent.

Originally, the only phonetic spelling I was going to use was jew for every time she said you.  I have since decided against this so I don’t offend potential readers.  Still, when I read Lucia’s comments out loud, I always do so in her accent. I’m confident the suggestions employed helped me to better express her dialect on the written page.  Please share your experience writing a foreign character’s dialect.

Recommended sites for writing dialect/accents:

How To Do a Mexican Accent

The Dos and Don’ts of Dialect

Andrea Caban – Dialect Coach