The Artist’s Corner – Meeting High Standards with Benchmark Leatherworks

I met Jeremiah O’Brien through his lovely wife with whom I worked in our church nursery. I knew he made leather items, so when another friend needed a repair to a favorite bookbag, I asked if he would be able to fix it. Turned out that Jeremiah was the man for the job. He not only replicated the broken latch, but he also matched the color, so the new piece didn’t look out of place on the gently worn bag.

Fast forward to January 2023 when I’m preparing my novel, Realm, for publication and decided that I would like to have something to present at my book launch. I browsed items on Etsy, designed a mockup of what I envisioned, and e-mailed my request to Jeremiah. What he created was so much better, such higher quality, than my original idea.

So, without further ado, allow me to introduce leatherworker Jeremiah O’Brien, a man of few words and abundant talent.

Tell me a little bit about yourself.

I’m just a guy who works in his garage basically. Married, seven kids, two dogs, and hopefully here soon, a homestead with chickens and goats and such. I’m honestly terrible at biography type stuff. I prefer to let what I do speak for itself.

What has your experience been?

I have an associate degree in business with a focus in web design, but I don’t really use it. I have worked in restaurants primarily for most of my life, with the past ten years learning and working in leather.

Do you put yourself into your leatherworking??

I’m not quite sure what this means, but I do have a particular artistic style that I tend to put into my work, and it is fairly unique to me.

How did you develop your passion for leatherworking?

A friend of mine introduced me to it as part of a hobby that we were both involved with some years back, and I just worked at it over the years on the side, and then finally took a job in the industry for a couple of years before striking out in my own and running my own business fulltime.

What or who is your inspiration?

There have been lots of people who have inspired me along the way, and pointing to one single thing or person would be tough.

What pieces do you enjoy creating?

I really enjoy helmets, book covers, journals, bags, and pieces that show off a high level of skill.

What is your creation process?

Everything has a different creation process, but generally I’ll start by designing a pattern, then some artwork to go on it, and then cut it out and put it together.

Do you work alone or with a partner?

Largely alone. I do occasionally have people visit, but it’s rare.

Where can someone find you online?

Facebook – Benchmark Leatherworks
Instagram – Benchmark Leatherworks

Do you have a website?

Benchmark Leatherworks

For whom do you create leather goods?

Anyone who asks, but my clients tend to be people who go to Renaissance Faires, but I have also done work for pro wrestlers, hip hop artists, and other entertainment professionals.

How does a client contact you?

Through social media generally, or email inquiry@benchmarkleatherworks.com

What is your process when creating for a client?

I work with the client on a design for the item they want built. Sometimes that includes measurements, or it can be a personal design they like, whatever the case may be. Once we have that settled, I go ahead and design patterns, and then build it.

How is what you create for yourself different from what you create for other people?

I rarely craft for myself, and it’s not all that different except that it is personalized to me instead of someone else.

Has your work ever been used for commercial purposes?

My work is currently featured on WWE Smackdown, worn by the Viking Raiders. It also makes appearances at Renaissance Faires and conventions all over the country.

What is your favorite piece that you’ve created?

A corset and skirt combination suit that I did a few months back is my current favorite, but it’s a constantly evolving list.

What’s your dream leather piece to create?

A book cover with intricate detail that currently eludes my time and skill.

What’s your biggest complaint about leatherworking?

It’s time consuming.

Do you work full-time as a leatherworker? If so, how do you see your business growing?

Yes, I am full time, and I’d like to get into making more patterns and sources of passive income rather than relying solely on custom orders.

Tuesday Tea – Philosopher

Every writer has a favorite beverage he or she imbibes while working through the creative process. Some are famous for partaking of large quantities of their preferred poison. But whether you enjoy coffee, tea, wine, or a stronger spirit, I’m sure you would admit that you’re not at your best until a cup, mug, glass, or tumbler of your chosen libation is coursing through your veins.

For me, that magic elixir is a large cup of tea. I’ve become a fan of loose-leaf teas and purchased stainless steel tea balls in single cup size and teapot size. I’m always on the lookout for my next favorite tea, and Philosopher from Gnat and Bee is the latest winner.

I love black tea, and as a black tea blend, Philosopher instantly caught my eye. What drew me in was the description: dark and earthy with chaga mushrooms for pensive mornings or afternoons. Isn’t that perfectly charming! It’s as if it was made for writers who stare out the window, seeing nothing before their eyes but everything about the scene taking place in their mind.

The specific ingredients are Yunnan black tea, Assam black tea, chaga mushrooms, toasted barley, and black peppercorns. The teas, mushrooms, and peppercorns are certified organic, and the packaging is eco-friendly. What’s not to love?

Dry in the bag, the initial aroma is sweet and slightly woody. Don’t inhale too deeply or you’ll set off a round of sneezing from the black peppercorns, although they finish the fragrance with a pleasant zestiness. You won’t taste the peppercorns as much as you’ll experience them as warmth on the backend of your sip. It’s much the same as when you’ve eaten something with a spicy ingredient that you feel in your mouth instead of taste as an individual flavor.

And speaking of flavor, Philosopher tastes like the quintessential tea. It’s what tea is supposed to taste like. It is the pinnacle of teas as far as I’m concerned. I know that sounds vague, so let me see if I can expound upon that description.

It’s smooth and silky, rich and earthy, elegant and unpretentious on the palate. It evokes images a hawk flying on a cloudy day, the sun burning through fog, dew on the grass, and slipping into a warm, dry barn to escape a sudden shower.

Please do not be put off by the presence of the chaga mushrooms, toasted barley, or black peppercorns. If you do not care for any one of these, I promise you will not taste them individually. Gnat and Bee have created a balanced blend that works in perfect harmony.

Water should be hot but not boiling, and brew time is perfect at four minutes of steeping and one minute of swirling the tea ball around my mug. This is, of course, adjustable based on the size of your cup and desired strength. I prefer mine without cream or sugar because I want to taste the tea itself. If you try it with one or both, please let me know in the comments how that worked for you.

Once brewed, the aroma becomes mild tobacco and sweet leather, the color is deep mahogany.

I hope you try Philosopher by Gnat and Bee. Let me know in the comments how their marvelous tea influenced your own pensive morning or afternoon.

The Truth in History

Tim Eady’s father worked for Mrs. Burton during the winter months when the construction crews were laid off. Occasionally, Tim’s father landed inside work hanging cupboards or finishing baseboards. This year, all the new homes were completed on time inside and out. The first flakes of snow saw the departure of a handful of families for Florida or one of the Carolinas, seeking work to tide them over.

Tim’s father would have gone, but his mother said it made no sense to pull Tim and his two sisters out of school for three months. The girls had started third and fourth grade in the fall. Tim was in his junior year. Besides, his mother expounded, Tim could hunt again this year, and they’d be near family come Christmas. Not to mention Florida never had snow for Christmas, and what’s Christmas without snow? Tim’s father grew up with fireworks in Charleston for Christmas, but he just shrugged his acquiescence.

Mrs. Burton lived on the outskirts of town and drove a faded, red Ford pickup. She wore a plastic bonnet over her hair whenever she went out, rain or shine. Every day found her in heels and pearls with a lace hankie tucked beneath her watch band on the underside of her wrist. When Mr. Burton died, she went right on living at their farm instead of selling and moving in with her sister in town. From the porch of her home she fended off foreclosure and potential suitors with Mr. Burton’s double-barreled shotgun. She also grew shrub-sized, pink begonias in wash tubs on that porch.

Canning, gardening, and tending chickens kept Mrs. Burton involved, as she called it, and gave her purpose in life. She also baked and attended Bible study, joined missions’ teas and volunteered at the library, participated in the fair and collected clothes for the migrants who worked the lettuce farms every summer. Much to her shame, she could not sew, but a few frenzied days of her clicking knitting needles produced some of the finest afghans to ever grace the back of a couch.

There were no animals in her house save only a yellow canary in a cage in the living room. The bright little bird never sang until the day his mate died, and then he chirped his fool head off every waking moment of the day. Mrs. Burton thought this morbidly hilarious. She had one of her church friends make a double-layered cage cover of black fabric to place over the bird when she needed it to shut up. She wasn’t unkind to animals. She just believed they belonged outdoors. She fed hundreds of strays and wouldn’t kill a snake in her yard. In autumn, when the corn grown on her land leased by others had been harvested, she walked boldly among the cattle let out to graze the stubbled fields.

the-truth-in-history

Winter on the Farm by Guy Whiteley

Tim’s father started with fence repair, and since there were miles of fence, he was guaranteed steady work. But his father wasn’t the one to prolong a job just to draw out a paycheck. Tim hunted the woods skirting Mrs. Burton’s fields and occasionally stopped to talk with his father when he worked the fence closest to the woods. A sharp crack in the distance always brought his father’s head up and a smile to Mrs. Burton’s face. Then she’d drive the truck back in the direction of the shot, stopping to pick up Tim’s father, and together they’d find Tim and the deer he’d killed. She waited in the truck while Tim and his father loaded the deer in the bed.

“Now Tim, you put plenty of them newspapers down under that doe when you hang her in the barn. At least an inch thick. Sprinkle saw dust on any blood that soaks through, you hear?”

“Yes, ma’am.”

“Rake it up and throw it all in the burning barrel with the paper and guts when you’re through, son.”

“Yes, sir.”

Then she’d drop his father back off wherever he’d been working and drive Tim to the barn where he’d dress the deer. There was a handy block and tackle setup with a crank handle for hauling the deer up toward the rafters. Tim supposed Mr. Burton had rigged it for getting heavy stuff up to the loft. Mrs. Burton brought him hot tea and sandwiches, the same delivered to this father, and when the job was done, she’d drive him to Fulmer’s to have his deer processed.

As a reward for feeding the family, Tim’s father allowed him time off from helping with chores to tan the hides of any deer he shot. Mrs. Burton graciously let him use her barn as a workspace. It took Tim a few tries, and a lot of trips to the library, but through his trials and errors he became skilled at producing supple, quality leather. That Christmas, everyone in his family and Mrs. Burton received moccasins. The following year, he sold his hides and earned such a reputation that hunters began bringing him their hides for tanning. Tim’s father let him keep the money he earned, so Tim made sure his father saw him spending it on jeans and shoes for school, fabric for his mother to make his sisters’ dresses, and books for the three of them. Reading was the only thing he had in common with the girls.

When the fences were done, Tim’s father worked in and around the barn. Tidying and repairing kept Mrs. Burton’s farm neat as a pin which always humored Tim because she was a bit of a pack rat. At least the newspapers in the empty stalls were stacked neatly as were the towers of plastic flower pots from the nursery. If she had one of something, chances were she owned at least a dozen of whatever it was. Radios, all in working order and dusty, lined the shelves next to the wood chipper. Scythes and shovels stood like troops at attention five deep against the walls of her garage. More canning jars than she could use in a lifetime even if she broke half of them waited patiently in the cellar next to coils of chain covering the floor and shoe boxes full of different sized knives. But Mrs. Burton wasn’t stingy. From her own personal stores she’d supply whatever need demanded filling.

“Ain’t you worried about rats around here, ma’am?”

Aren’t, Tim—and no. The threat of death keeps them at bay.”

Tim assumed she meant the smell from his hides, and he worried that her comment had been a request to tan them elsewhere. He’d meant drawing rats all over the farm with the promise of hiding places and knew they were attracted by the smell of a fresh kill, not repelled. He let it go when she hinted at a pair of fur-lined slippers.

That year’s wood supply diminished quickly when the weather turned for the worse, and Tim’s father had to drag downed trees from the woods. They worked together bringing the logs in to the barn where his father sawed them into manageable pieces and split them. Tim stacked it on the back porch, sneaking a peek in the kitchen windows where he could see Mrs. Burton sitting at her kitchen table writing out recipe cards. On his third trip from the barn to the porch, he felt a twinge in his throat and a flush of heat on his cheeks. He straightened from piling wood and swiped the back of his glove across his forehead, moving shaggy, wet bangs from out of his eyes. As he did so, he made eye contact with Mrs. Burton who waved him in. She met him at the back door and led him by the arm to sit at the kitchen table.

“My boots, ma’am.”

“It’s just snow and sawdust. Nothing that won’t wipe up.”

Then she put her cool hand on his sweaty neck to draw him forward. He blinked like a toad in a hailstorm when she pressed her dry lips against his forehead and held them there for half a minute.

“Mm…hmmm… You’re fevered.”

Tim sniffed hard to no avail and employed his coat sleeve to stem the flow of what felt like hot water dripping from deep inside his head. The heavy canvas raked his nose but absorbed nothing. Mrs. Burton had turned to the stove to make chamomile tea, but even without seeing she knew to grab the box of tissues and place them on the table beside Tim.

A few minutes later as the kettle whistled, the indeterminate voice of Tim’s father rang out. His footfalls pounded the steps and back porch, preceding a woodpecker’s rap on the glass pane of the back door.

“Come in,” Mrs. Burton called.

“What’re you doing in here, boy? I been calling for you.”

“He’s got a fever.”

“That so?”

“Yes.”

Mrs. Burton’s word was final, and Tim’s father finished cutting and stacking wood on his own.

“He don’t mean to be hard,” Tim said as he sipped his tea.

“He could take unemployment like other men do.”

“Naw, he couldn’t, ma’am. Pride won’t let him.”

“Mm…hmmm,” Mrs. Burton said into her own teacup. Then, “How are your studies going, Tim?”

“Good, ma’am. I got a B+ in Algebra and an A- in English.”

“How’s your Science and History?”

“I’m working a solid B in Science, but History is kind of boring.”

“And what grade does boring translate to, Tim?”

“A C-, ma’am.”

“Oh, Tim,” she said, placing her hand over his, “History is too important to forget.”

“It’s all just memorizing dates and the bad things people do to each other.”

She cooed like a dove behind her slim hand, and Tim understood her to be laughing at his assessment of History class.

“Yes, well, I suppose it’s the way History is presented that makes it interesting or not. Why don’t you slip off your coat and boots, bring your tea, and we’ll sit in the living room?”

Tim had never been in the inner sanctum of Mrs. Burton’s home. She never forbade him from entering; none of the jobs she had for him ever took him beyond the kitchen. She settled him on a love seat with a mound of embroidered pillows and a red and blue afghan. Tim’s size twelves stuck out, and he overlapped his feet to hide the hole in his sock exposing his big toe. A dull thud permeated the frosted windows; Tim’s father was splitting chunks of freshly sawn logs.

“Everyone remembers history differently, Tim.”

“Yes, ma’am.”

Mrs. Burton paused her rocking chair to trace her finger through a fine silt of dust on an end table. She frowned and rolled the gray film into a ball to be flicked away with her thumb.

“Did you know I used to keep this house spotless? Spotless without a single thing out of place.”

Tim couldn’t, and wouldn’t, contradict her for he had nothing to compare to except the twine tied bundles of magazines bordering the room and baskets of yarn on every available surface not taken up by a knickknack.

“Mr. Burton insisted on it. Said his mother kept a spotless house, and so would any woman fit to marry. Guess that means I wasn’t fit for marriage to Mr. Burton.”

“But you said you did keep it clean, ma’am… or do.”

“I tried at first, but my efforts always fell short. Mr. Burton could only remember how perfect his own mother was, and it’s that history that came between us.”

Tim shifted on the loveseat. He slurped tea and waited to receive whatever Mrs. Burton would say.

“Then there’s the history of excuses I made when I couldn’t be seen in public because the bruises Mr. Burton left showed up on my arms or face. Only so many times a woman can wear long sleeves in the summer or walk into an open cupboard door.”

“Ma’am?”

Longing glances toward the barn couldn’t will Tim’s father to fetch him home. All he could do was watch the windows darken with twilight. The sky thickened with clouds promising snow that night.

“I always said the dusting wasn’t going anywhere, so what’s the rush? It’d be there when I returned from grocery shopping or running errands. But Mr. Burton wanted it done now o’clock.” She chuckled at the joke. “And the pendulum of his fist always swung on time. Sometimes in the middle of the night for no reason.”

Tim coughed until his chest rattled. He had no place to expel the viscous secretion, so he pretended to sip tea and deposited in the cup.

“So I dusted, and I cleaned, and my fingers and knees went raw from my attempts to please Mr. Burton, and people called me eccentric. Said I was too particular about my house and that it was too clean for a body to feel truly welcome. That’s the history people in this town remember.”

“Ma’am, it’s getting on dark, and my father will just about be done, I’m sure.”

“There’s a light in the barn, Tim.”

“Yes, ma’am.”

She licked her lips and said, “Do you think I’m eccentric, Tim?”

“Ma’am?”

“I thought I might as well live up to their opinions of me.”

“Whose, ma’am?”

“Oh, you know. Those gossipy, ole biddies at church. I started by saving newspapers because they’re so harmless and absorbent. That’s how I justified it to Mr. Burton, by making newspaper seem useful in more ways than one. He didn’t care as long as the house was dusted. Then I save wooden thread spools, bread wrappers, and twist ties because they were easy.”

Tim thought of the coffee cans of said items stacked on the kitchen counters.

“Did you know there’s a bedroom closet upstairs chock full of peanut butter, pickle, and mayonnaise jars?”

“No, ma’am. I did not.” He chewed the inside of his cheek. “I suppose them rocks lining the flower beds were part of it, too?”

A nightingale laugh trilled from her lips, and the passion of memory glowed in her eyes.

“Exactly, Tim. I’d forgotten the rocks. And see how easy it is to mix up the real stuff with the useless? You’re such a smart boy to remember.”

Her praise solidified them in unwanted knowledge. Tim sat forward and placed his teacup on the coffee table.

“You’ll remember my history when I’m gone, won’t you, Tim?”

“Where’re you going, ma’am?”

“I don’t care if you correct them in their erroneous beliefs; I just need one person to know the truth.”

“What truth is that, ma’am?”

“I hated dusting. Can you do that, Tim? Can you remember my history the way it really happened?”

“Yes, ma’am.”

A soft silence fell between them, ruptured by Tim’s father poking his head in the back door and calling out.

“Hey, boy—I’m warming the truck, so get your stuff and c’mon.”

“Yes, sir,” Tim called back.

He and Mrs. Burton stood at the same time. She carried both cups into the kitchen and set them in the sink. With her back to Tim she said, “The only paper I never saved was the one with Mr. Burton’s obituary in it.”

Tim jammed his arm into a coat sleeve and asked why not.

“I didn’t have to. Everyone remembered for me, told me about it all the time. They never found his body, you know. They dragged the lake come spring where they thought he’d gone in, but they never found it. That lake is so big and too deep. Three in one, really.”

“What was he doing on the lake, ma’am?”

“Trying to save some little kid who’d fallen in.”

“I thought he was ice fishing. Did the kid die, too, ma’am?”

“Huh? Oh, no… I guess I was wrong. I saw a red and blue knit cap on the ice as we were driving by and figured it belonged to some kid out there skating who should of known better with the thaw making places thin. I drove back to town as fast as I could and went straight to the fire department, but it was too late. I couldn’t remember where he’d gone in. Mr. Burton was lost.”

A headache and stuffy ears made it hard for Tim to think. Finally, he asked, “Where were you coming from that day, ma’am?”

“I don’t understand? What do you mean, Tim?”

“When you and Mr. Burton were driving by the lake, where were you coming from?”

“Does it matter?”

“I don’t suppose, but you remember everything else so well, ma’am.”

“Very good, Tim. We must keep our histories truthful.” She took a deep breath. “From the hardware in Austinville.”

“Why over there, ma’am, when we got a perfectly good hardware in town?”

“Because the road back took us past the lake, Tim.”

“What did you buy in Austinville, ma’am?”

“Matches, Tim. I had a lot of stuff in the burning barrel that needed burning that night.”

Three honks from the driveway told Tim to hurry up. He zipped his coat and shoved his feet into his boots without tying them.

“You take tomorrow off, okay Tim?”

“Yes, ma’am. My mom’ll make sure I don’t escape the house for school or work once she finds out I’m sick. I’ll be laid up with Vicks all over my chest and a hot water bottle tucked in my side. She still gives me baby aspirin, but at least I get ginger ale and popsicles.”

Mrs. Burton smiled at Tim’s mother’s doctoring skills.

“Well, it sounds reasonable to me.”

“I’ll see you when I see you, ma’am.”

“Goodbye, Tim.”

Mrs. Burton watched Tim and his father out of sight. In the morning she’d take a bag of horehound over and see how Tim was faring.

Before CK One, There Was Tabac Blond

Vintage Tabac Blond

Vintage Tabac Blond

The year is 1927. John Welles and his two best friends, Sam Feldman and Claude Willoughby, are planning a clandestine night on the town. Their destination is a speakeasy hidden on the outskirts of Baltimore, Maryland. For the young medical students, the night will be both thrilling and disastrous.

Before John slips out for the night, he sneaks a dab of his Aunt Prudence’s perfume. This might seem like an extremely feminine thing to do until you become familiar with the scent he chooses to borrow.

One of my favorite subjects researched for my novel, The Secrets of Dr. John Welles, was perfume from the early 1900s. It is how I discovered Tabac Blond. The perfume was perfect for Prudence, a rebel-before-her-time class of woman who smokes, and John, by the simple fact that he’s male. Let me explain.

Ernest Daltroff

Ernest Daltroff

Tabac Blond was created in 1919 by perfumer and founder of the house of Caron, Ernest Daltroff. The fragrance was intended for women who smoke cigarettes, the symbol of women’s liberation and Parisian chic. What made Tabac Blond appealing were the leathery top notes, usually found in men’s fragrances, blended with a feminine floral bouquet. The added scents of undried (blond) tobacco leaves and vanilla made it desirable to both men and women.

Many reviewers insist upon a decanting of vintage Tabac Blond complaining that the new version doesn’t present as well. I’ll have to take their word for it as I do not own either and have yet to experience them in real life. It is, however, my goal to do both.

Artwork inspired by Tabac Blond

Artwork inspired by Tabac Blond

If you’re a lover of rich, exotic, glamorous perfume, Tabac Blond may be for you. Don’t let the price tag deter you from your passion. Whether you purchase the new version or a vintage decanting, there will be a small investment. I believe this is testimony to the allure of the fragrance. Be warned, however: wearing Tabac Blond may encourage behavior such as wild dancing, excessive drinking, and dressing like a flapper or F. Scott himself.

Yesterday’s Perfume

Perfume Projects

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