Percival’s Planet

One of the reasons why I never watched the movie Titanic was because no amount of SPOILER ALERT was going to keep me from knowing the end of the story going in. The ship sank. The same was true for a book I recently read called Percival’s Planet, an historical fiction accounting of the discovery of Pluto. I had a good idea how the novel was going to end. Still, I was on an astronomical high from The Comet Seekers, so I thought I’d give Percival’s Planet a whirl.

Most reports I have read indicate that the Titanic sank in about two hours, which is a good length for a movie except that probably not that much occurred onboard that would make a good story. For this reason, pre-iceberg and post-iceberg filler was created to take up some time until the ship sank.

The same was true for Percival’s Planet. The process by which Pluto was discovered was so painfully boring that the author, Michael Byers, would not have much of a story if that was all he wrote about. And even after it was discovered, there was some skepticism as to whether or not what was found was indeed the elusive Planet X.

So, the reader was treated to more on Kansas farm boy, Clyde Tombaugh, the discoverer of Pluto. However, in Byers’s hands, Clyde’s story was about as exciting as watching grain being threshed. I did feel for him when a sudden hailstorm took out the crop that was supposed to pay for college, and he showed incredible perseverance producing handmade lenses until they were perfect. But again, Pluto and Clyde alone were not enough to carry this tale.

Vesto Slipher, the Lowells, and a few other real people were sprinkled in to help ground the story. There was a technical edge that was interesting without being too tedious even if one has not studied the math and science required for space exploration. The era during which the novel took place, 1928 to 1930, lent some curious appeal as far as social allowances, customs, clothing, and the looming Great Depression.

But it still was not enough to make this the type of story one can hardly wait to return to. It took me three weeks to plow through it, and there were days when I left it untouched. Still, the writing was not horrible, and I’m no quitter. There were some well-turned phrases, but nothing that leapt off the page begging to be read.

Not even the washed-up boxer, Teddy, going through a painful divorce, who was in love with his beautiful secretary, Mary, who was slowly going mad, helped. Nor did the secretary’s older, gay brother, Hollis, who struggled to maintain his relationship with his younger, extremely rich partner. Not even Dick and Florrie, more megarich and brilliant people involved with work at Lowell Observatory, made for interesting reading. And then there was the poor sap, Alan, an astronomer, who named a comet after Florrie before he realized she had run away to marry Dick.

Let’s not forget Felix, the failure-to-please-daddy heir, who decided he wanted to be an amateur paleontologist, and his mother, whose name I’ve honestly forgotten in the three days since I finished the book. Their relationship was awkward, and how they connected with those already mentioned was clunky at best, superfluous at worst.

Alan married Mary; Clyde had a crush on her; Mary was hospitalized after attacking Alan; Hollis disappeared; I truly wished Dick, Florrie, Felix, and his Mama would, too; Teddy became Mary’s champion; Pluto was found but not in a satisfying, triumphant, end-of-the-book way; peripheral characters charmed and annoyed on cue; and Byers wrapped up stories of fictional characters with whom I forged no connection or caring. The narrative moved at the pace of a comet viewed with the naked eye.

What we had here, folks, was a Great Plains soap opera that read like grit blown in from the Dust Bowl to lodge in the corners of one’s mind, waiting to be swept out by the next interesting book.

I suspect Michael Byers attempted to recreate the thrill of discovering a new planet, which was no small thing. Unfortunately, when the novel was published in 2010, moon landings were and still are studied as history, the Space Shuttle program ended in 2011, and it had been twenty years since the Hubble Space Telescope was launched, and twelve years for the first piece of the International Space Station.

Perhaps it’s a shame that we no longer look to the stars with as much interest as we once did. God knows we are barely able to take care of things on Earth let alone what we would do if we ever achieved colonization somewhere in space. Still, what could have been a great story, even to someone like me who doesn’t follow astronomy closely, ended up fizzling out faster than a shooting star.

In the end, I’m glad Clyde Tombaugh never knew Pluto was demoted from being a planet.

Goodbye to Sandra Dee

One of the highlights of my young life in the summer of 1978 was when my mother took me to see Grease at the theater inside Chapel Hill Mall. Only one other friend on my street had seen the movie, and it was due to her review that I begged my mother to take me.

I remember Mom embarrassed me in front of the young girl at the ticket counter when she asked if there was anything inappropriate for a child to see. The girl said there was a scene where some boys mooned everyone, but since I had no idea what that even meant, I turned pleading eyes on my mother.

A quick purchase of tickets and popcorn occurred, and the next thing I knew, Mom and I were sitting in a darkened theater where movie magic was about to take place.

Fast forward to August 8, 2022, and all my summer dreams are ripped at the seams. When I heard that Olivia Newton-John had passed away, I felt a small piece of my childhood slip from my grasp. Obviously, I never knew Olivia Newton-John, but what a shock that someone from my era had died. I actually missed this talented lady who I never met.

The first opportunity I had, I rewatched Grease. Great memories resurfaced, and I’ve had the songs stuck in my head for days now and enjoyed many of the dance scenes on YouTube.

In 1978, all I remember about the movie was that Sandy and Danny liked each other, hit some bumps along the way, and eventually got together, which is all that really mattered to me. One of my biggest joys was to relive this happily-ever-after scenario every time my cousin and I listened to her two-record copy of the original soundtrack.

Also, I made my husband watch the made-for-TV version every time it came on. I knew it was edited, but I didn’t realize how much until I took him to the theater to watch the 25th Anniversary re-release. Like a good sport, he had accepted that it was our movie, but boy did I get a surprise! It was as if I saw Grease for the first time.

All the bawdy comments and innuendo, the issue of teen pregnancy, and the drinking and smoking that had flown right over the head of the dance scene-loving grade-schooler I used to be was painfully apparent. I did pick up a titch of these things in the TV versions, but wow . . . And I understand the live stage version is even raunchier.

So, what’s my takeaway as I rewatch Grease this time around? First, I understand why my mother sat beside me quite stiffly if not exactly squirming. Second, I’m still picking up on the quickly delivered one-liners that I wouldn’t want an eight-year-old to hear.

This time, however, what really jumped out at me was the scene where Sandy has just watched Danny win the car race at Thunder Road. It’s evident that she wants to be part of the fun but doesn’t know how to join in. The lyrics of “wholesome and pure/oh so scared and unsure” don’t exactly go together except for the fact that the last words rhyme. What I mean is, the qualities of being wholesome and pure don’t lead to fear and insecurity, and it doesn’t mean your ignorant or boring.

Knowing that Sandy’s transformation to a sultry bad girl was about to take place made the lines somewhat awkward, especially since I’ve read some commentaries and reviews suggesting that Sandy was nothing more than a pathetic people pleaser who sacrificed herself, her desires, and any happiness just to maintain an unrealistic image. Now that’s pathetic.

Being kind and truthful without compromising your morals is never the wrong thing to do. Hopefully, Sandy’s wardrobe change doesn’t lead one to believe that to have fun, you must take up bad habits and look promiscuous. Notice during the “Summer Nights” routine that Sandy was quite happy and having a ball. True, Danny deceived her by not representing himself accurately at the beach, but this was no excuse for her to abandon common decency in appearance and actions.

What bothered me more was that once Sandy was in her Spandex-clad, off-the-shoulder top, high-heeled sandals ensemble, she never took a moment to recognize that Danny made the effort to change for her by lettering in track. Was a moment of compromise missed?

Let’s not forget that Rizzo, who did play fast and loose, longed for the same things Sandy did and ended up almost wrecking her life by pursuing her passions in the wrong way. I also believe it’s because Rizzo didn’t know how to handle her envious nature that she attempted to undermine Sandy at every turn. Only when she confronted her own actions in the song “There Are Worse Things I Could Do” did she begin to change.

But I’m still a little troubled that Sandy getting in touch with her inner vixen is the last thing a young person would remember. Are we to assume that being a bad-girl greaser is preferable? It’s as if the movie is saying, “If you want to be accepted by the popular kids, you’re going to have to be a little naughty.” Sadly, this is true but only if your ultimate goal in school is to hang out with the cool kids.

Unfortunately, it’s also true in society in general. More than ever, we live in a world that wants you to accept whatever is being pushed. If you chose not to, woe unto you, O Intolerant One. Stay strong and don’t buy into the lie that you must compromise your morals, kindness, or truthfulness just to be accepted and have fun. Please note that happiness isn’t even an offer on that table.

Sound a little heavy? Perhaps. Will I still watch Grease and enjoy it? Yes. How is this possible? Because I can view it through physically and spiritually mature eyes. I have lived this situation several times in my life. I excelled sometimes, and other times I had to readjust. The important thing is to keep learning.

So, thank you, Sandy, for giving me a lot to think about through the years. We’ll always be together.

Breathe

For those who have been following me any time at all, you know I’m not one to watch many films. I’m all about the books. But every now and then, I’ll spy a trailer for a film that looks as if it simply must be watched. Such was the case with Breathe.

Breathe is the true-to-life story of Robin Cavendish who caught polio in 1958 at the age of twenty-eight while in Kenya with his wife, Diana. Robin’s initial reaction to his complete paralysis and inability to breathe without mechanical assistance was to die, and he requested his wife turn off the machine allowing him to do so.

Diana, pregnant with their son, refused to let Robin die. She made it clear that she did not wish to start over with anyone else. Rather, with love-conquers-all determination, she told Robin that she wanted their son, Jonathan, to know him and asked what she could do. To Robin’s reply of “get me out of here,” Diana helped him escape the confines of the hospital and the narrow-minded physician who would have her husband live his remaining days not only physically disabled but disabled in spirit as well.

I won’t spoil the movie for you by detailing the adventures Robin and Diana enjoyed, but I will say that what could have been a depressing movie was actually quite uplifting. Robin and Diana became advocates for improving the quality of life for disabled people. The best part was that Robin lived more than three decades longer than he was supposed to. Still, you will need a box of tissues when the film comes to its conclusion.

Prior to watching Breathe, I admit I wasn’t a fan of Andrew Garfield. My first encounter with the actor was the disturbing movie Boy A in which he played a child murderer. When combined with his less than memorable stints as Spiderman, his role in the disconcerting film Never Let Me Go, and his part in the disaster The Imaginarium of Doctor Parnassus, I didn’t bother following his career. I understand his acting in Hacksaw Ridge was quite good, but I have difficulty watching war movies no matter how much my son begs me.

Perhaps starring in the dismal films was simply a means of paying his dues until the better roles came along. Whatever the reason, Andrew Garfield has finally earned my respect for his acting in Breathe. Let’s hope he can continue to be offered such roles as I would be interested to see how he matures as an actor.

The Durrells in Corfu

My mother loves all things PBS and Masterpiece Theater, so when she mentioned a new series she was watching I listened politely, nodded, and didn’t watch it.  I’m more of the reading type, but every now and then I enjoy a good television show or movie.  Those seem to be few and far between.  Downton Abbey is no more, and while waiting for Poldark to return, I tried a couple of American TV shows I used to follow.  I believe I’ve outgrown them.

What was that series my mother mentioned?  Oh, yes:  The Durrells in Corfu.  She pronounced the family’s name in such a way as to rhyme with Purell, the hand sanitizer.  Turns out it was pronounced more like the word rural if you switched out the R for a D.  I requested the Season One from the library and couldn’t wait to be entertained by what Mother described as a charming series set on a Greek island.  She made it sound romantic and beautiful.

My husband and I watched the first episode, and while it wasn’t depressing, it wasn’t the delightful whirlwind adventure of picking up and moving to a Greek island that we thought it would be.  Widowed mother of four, Louisa Durrell, was at her wits end trying to make ends meet on her widow’s pension.  The idea to move to Corfu came from her oldest son, Larry, an estate agent who wants to be a writer but never writes.

Second son, Leslie, decided he’s going to quit school and find a job to help make ends meet.  Margot, his sister, announced that she, too, will quit school because she’s not that bright to begin with and school really wasn’t doing her any good.  Then there’s Jerry, the youngest son who loved anything to do with the animal kingdom and was rather odd.  This family was what one would describe as a hot mess.  In fact, by the third episode, husband and I looked at each other and wondered why we were still watching.

The Durrells were downright horrible to each other sometimes, especially Larry who delivered the harshest barbs to his mother and siblings. When they arrived in Corfu from England, they displayed the attitude of foreigners who couldn’t quite let go of their own culture to make the effort to fit in.  Throughout the first season, the worst character for this was the boorish Leslie who blathered on at the locals insisting they speak English even though it’s their country.  It was rather refreshing to know that Americans aren’t the only ones to do this even though we seem to be the only ones catching flack for it.

Larry finally took up writing, but this meant he wasn’t bringing in any money to help his mother.  In fact, none of the three eldest Durrells lifted a finger to help Louisa.  Leslie and Margot have clearly abandoned school, but they made no move to gets jobs.  I couldn’t feel bad for Louisa because she enabled them to be the slugs they were by constantly coddling them.  I turned my attention to weird little Jerry who also wasn’t attending school but provided himself the most amazing hands-on education by exploring the island for wildlife and building a personal zoo.

Still, I couldn’t quite connect with any of the Durrells.  It was time to focus on the peripheral characters.  I started with Lugaretzia, the Durrell’s housekeeper and cook who mumbled Greek to herself in such a way that even though one had no idea what she said understood that she, too, thought the Durrells were twits.  She took a liking to Leslie, who she declared the best son when he decided to learn Greek just so he could communicate with his girlfriend.

Then there was Theo Stephanides, the naturalist who assisted young Jerry in his pursuit of all things animal.  One couldn’t help but fall for the soft-spoken man as he guided Jerry through his makeshift education especially when he acted the part of a priest and presided over a bat funeral.  He and Jerry dug up the bat later so they could stuff it, but at least Jerry had a solid and intelligent father figure in his life.

Spiros Halikiopoulos was also a major favorite.  He was the type of person who believed he knew everything, yet he didn’t come across as arrogant because he actually did know everything.  The handsome taxi driver was always getting the Durrells out of scrapes and attempting to teach them how to be more Greek.  It was obvious he was sweet on Louisa, but he held back and was most gentlemanly toward her making him all the more desirable.

Another interesting peripheral character was Sven, the accordion-playing Swedish farmer.  Of the three men, he was the one Louisa fell for.  There’s a spoiler alert with Sven and Louisa’s story, so I’ll leave it up to my followers to either watch the series and/or discover what that was.  Sven was odd but likeable, handsome but practical.  He was a man of few words, and while he could be easily offended, he also forgave quickly to maintain the friendship.

Leslie Caron made a delightful cameo as the Countess Mavrodaki in the first season, and Jeremy Swift, who portrayed the unpleasant butler, Spratt, in Downtown Abbey, played her manservant, Dennis.  But with all these great peripheral characters, what about the Durrells?  It was, after all, their show.  My husband and I finished watching Season One and not for lack of something better to do.  We laughed several times over a couple of lines that were absolutely brilliant.  Kudos to the writers.

Still, what was it about the Durrells that kept us coming back?  In short, they were so true to real life, and we couldn’t wait to discover how things turned out for them.  We were actually quite pleased that the series didn’t end up being a piece of fluff.  We agreed that Leslie was our least favorite, that even though Margot was dim her family should probably stop telling her so, Larry was an ass (there’s no other way around it), and Jerry needed a bath in the worst way.  Yet when Season Two started last week, we were right there watching the Durrells stumble their way through life and learning the hard lessons.

Dunkirk – Movie Review

An unusual movie, quite brilliant, and one for which you should probably come prepared, Dunkirk drops the viewer into the middle of action already far underway.  If you don’t know you World War II history, you’re going to spend the rest of the movie trying to figure out what’s going on.  Or perhaps you’ll give up and go with it, but you’ll be cheating yourself on the importance of what is taking place on the screen.  I’ll provide a small clue and tell you it’s a movie about survival and how far an individual and a group will go to achieve it.

The storyline doesn’t follow one particular character through his experiences and struggles during the war and evacuation.  Rather it presents the events taking place from multiple POVs, both military and civilian, thus providing a wonderful angle from which to view the scenes.  With this technique, the viewer is also treated to a variety of reactions about what is occurring.  Again, if you’re not familiar with World War II history, you may be surprised to find this isn’t an action movie with battle scenes like you were possibly expecting.

Dunkirk is an intense fusion of visuals and sounds.  At first I thought the cinematography looked too new, but the clarity of the shots appealed to me long before the movie was over.  When combined with an amazing soundtrack crafted by Hans Zimmer, the experience draws one in mind and body.  I found myself tensing up in my seat to the musical equivalent of the sound of gunfire, the groaning metal of a sinking destroyer, and a dive-bombing plane.

The movie doesn’t downplay the heroism of the men serving in France, but shares the valor with the civilians who rushed to their rescue for the evacuation effort.  And instead of presenting Germany as the soul antagonist, Dunkirk relays the various forces of antagonism that worked against the soldiers and civilians alike.

With a great cast of actors including Kenneth Branagh, James D’Arcy, Cillian Murphy, and Tom Hardy, Dunkirk is not for the casual movie goer.  However, if you’re a World War II history buff or a history buff in general, you’ll leave the theatre feeling like you walked every grueling step with the soldiers, and you’ll be glad you did.

A Little More Persuasion

So, having recently read Jane Austen’s Persuasion, naturally I had to watch the movies to see which one did the best job of capturing all that the novel is.  I’ll give the readers following my blog a few moments to finish laughing.  But seriously, if I had to choose one as my favorite, it would be the 1995 adaptation starring Ciaran Hinds and Amanda Root.

With that being said, I must also admit that reading the book first will be extremely helpful because there is a large cast of characters and detailed storylines to keep track of.  Without the benefit of a reading, the movie might seem patchy, as if much is left unexplained.

I believe the reason no movie will ever completely depict Persuasion, or any book for that matter, but in particular Persuasion, is because much of the prose describes what the characters are thinking and feeling.  We have an in-depth view of Anne’s heart that can only be conveyed on screen by her expressions.  The same is true of Captain Wentworth.  However, when the characters do speak, there are no wasted words.

The thrill of romantic tension Jane Austen infused in her novel comes out well in the 1995 Persuasion.  Again I found myself wanting the movie to hurry up and relieve Anne’s and Wentworth’s agony, but just as quickly wishing to prolong the scenes so I could relish them over and over.  At the conclusion of the novel, I felt as if I was leaving dear friends behind, and the movie engendered the same emotions as well as put faces on said friends.

And then there is the kiss in the 1995 Persuasion when Anne and Wentworth finally overcome their insecurities and presumptions regarding each other.  Ciaran Hinds and Amanda Root do it the best as we’re given the view from just over Wentworth’s shoulder as he’s leaning down to make contact with Anne’s lips, and she closes her eyes right before they touch.  Let the squealing and sighing commence because it is, in my humble opinion, the best onscreen kiss ever.

As for Ciaran Hinds and Amanda Root, they do a wonderful job portraying Wentworth and Anne.  He is classically handsome with high cheekbones and a regal bearing.  Never is Hinds’s Wentworth the pretty, spoiled rich boy next door.  Amanda Root’s Anne embodies Jane Austen’s own sentiment of being “almost too good for me.”  She is perfect as the plain but pretty woman past her bloom who later revives the blush upon her cheeks the closer she comes to her one true love.

The 2007 adaption of Persuasion starring Sally Hawkins and Rupert Penry-Jones is not bad, but it’s not great.  I would never dissuade you from watching to make up your own mind.  My biggest complaints are that some characters’ lines end up in the mouths of other characters and too many scenes are consolidated which lessens the impact of what takes place.  There is also a titch too much creative licensing going on and four times the director employs the technique of having Anne (Sally Hawkins) look directly at the camera as if making eye contact with the viewer thus conveying the depth of her feelings at the moment.  Once would have been sufficient to make us feel Anne’s pain.

Wentworth in this version is handsome but not dashing, and Anne’s hair looks as if it needs a good washing.  As for the kiss at the end, Anne has been running to catch up to Wentworth, and she pants too long and too hard.  Then the scene drags on forever, I have to assume because of the director’s instructions or perhaps to give Sally Hawkins time to catch her breath, and the moment is spoiled.  It is actually more embarrassing than romantic.

One saving grace is Anthony Head as Sir Walter, Anne’s father.  It’s almost frightening how well Head portrays the depth of shallowness and vanity to which Sir Walter has sunk, caring little or nothing for those around him who he deems worthless including his own dear daughter, Anne.  Kudos to Head for making me hate this character because I have to admit, sometimes I love a character I can hate.

There are a couple TV mini-series based on Persuasion from the ‘60s and 70’s and a modern adaptation all of which I’m sure I’ll miss.  Until a glowing review for one of them comes from a friend or follower, I’ll stay with the novel and the 1995 movie.

No Persuasion Necessary

No one will ever have to persuade me to read Jane Austen as I will always do it willingly.  The fact that my classic literature book group chose Persuasion as our July novel pretty much sent me over the moon.  Now here’s the big reveal for this blog post:  I’ve never read Persuasion.  My only experience with this particular novel is the 1995 Ciaran Hinds and Amanda Root movie by the same name.

Still, having viewed the movie and possessing a basic understanding of the premise of the story, I found the romantic tension Jane Austen managed to write into her slim volume to be unexpectedly amazing and toe-curlingly satisfying.  Without smut or foul language, Persuasion is every bit as intense as the feelings one endures when watching the love of his or her life walk into a room and believing he or she completely out of his or her reach.  Because, after all, this is exactly what our heroine, Anne Elliot, believes of the dashing Captain Wentworth.

Another point I found quite remarkable is that for a small novel it had quite a cast of characters all with diverse and interesting lives intricately woven into the tale.  Jane Austen does this exceedingly well, and I never lost track of a single character.  I’m not sure if Charlotte Bronte’s comment of “very incomplete and rather insensible” is toward all of Austen’s works or Persuasion in particular, but I have to disagree with her.

Of course there are always the villains at whom we boo and hiss and wish upon them more of a comeuppance than they receive, but the character of Anne Elliot with all her selflessness and caring far outshines any of the unpleasant people in the book.  And, if we’re willing to admit, we should all be a little more like Anne and not wish these people ill.

While I’m usually the first to give up on a character for being a simpering doormat, Anne Elliot never comes across this way.  Her heart, although broken, is made roomier to care for the people in her life whether or not they love her in return.  She isn’t an unbelievable do-gooder, but rather an example of the quality of character to strive for.

The romantic in me believes Anne and Captain Wentworth live happily ever after despite any threat of war that would take him away from her or the notion that they had to wait for him to be rich enough to be worthy of a baronet’s daughter.  Regardless of the mindset of the society in which they were born, raised, and lived, I believe the fundamental strength of who they are at heart is the true source of their happiness and love for each other.

Don’t Drive So Fast That You Miss Life

I wish I had listened when people told me to remember these days.  They were speaking of the days when my son, Joshua, was little.  And I did remember quite a lot; I have the scrapbooks and an entire room devoted to the production thereof as proof.

There was a time when I just wanted a few more moments of sleep, to eat my meal while it was still hot, or to sit down and read a book or watch a movie in the silence and peace I used to enjoy prior to a child.  As recently as yesterday when I sent Joshua to the school on his mountain bike to pick up his work permit so I could shower in preparation for taking him for a haircut so he’d look great for the picture on his temps then down to the BMV to get said temps then running home to make lunch before hubby left for work then cleaning up and staying put so Joshua could finish mowing for his dad and using the time to write a thank you note, put in laundry, and type up a synopsis for my current WIP then rushing off to buy pants for the job he started today, I thought to myself how much I want my life back!

Prior to that was all the running to obtain a birth certificate for the job and temps and work permit (I told him to have this stuff finished before school let out for the summer) as well as the three days it took him to get himself in gear to do everything listed above (I’m trying to be a hands-off parent as he matures).  There’s a DVD of Persuasion on my countertop begging to be watched, a book to be finished, and don’t even get me started on how I haven’t written anything toward my current WIP or my blog pretty much since school ended.

This summer has been crazy.  And really, I’m not complaining, but I wish I people who had said remember these days had also warned me that although children become more independent as they get older, in many new ways they are still quite dependent.  What I used to do for Joshua was contained to our little world, our home.  Now I’m pretty sure I’m trekking across America several times a week getting, taking, and doing for this kid.

My joyous internal screams were probably felt as shock waves in most of Ohio when Joshua told me he had job orientation from eight to three on Thursday and Friday.  What?  I’ll have two whole days to write and read?  Thank, Adonai; truly You are merciful.

Josh woke me at seven thirty to take him to work (Recall, he only has his temps since yesterday, and tonight will be the first night of driving lessons).  I asked all the motherly questions from did you take your allergy pill and brush your teeth to do you have your ID badge and lunch packed?  My questions were greeted with one-syllable, monotone affirmations.

I drove him to work and stopped a little way from the front doors so as not to embarrass him.  And then I watched my baby walk away.  And I wanted to jump out of the car and convince him to come home with me where I’d make him all his favorite foods, and we’d watch all his favorite shows, and then go to Kame’s to look at hunting gear, and visit Sweet Frog for yogurt, and if he was still hungry (which teen boys always are) we’d go for burgers or pizza.

Yes, this summer has been crazy.  I’ve hardly written at all since May.  When I pulled into the garage after dropping off Josh, I looked beside me and saw his lunch on the drink holders where he’d forgotten it.  I’ll be taking that to him around noon.  If I’m lucky, tonight after his driving lesson, we’ll go for a drive with me at the wheel.  It’s a habit we started in the evenings as the sun is going down.  We just pick a direction and drive until it gets dark or we’re tired.  Josh and I talk about everything during these drives, and the other day he told me how much he enjoys them.  I don’t believe he realizes that as I drive he places his hand lightly over mine where it rests.

I know things will calm down once school starts at the end of August.  My routine will be restored, and my writing will flourish.  For now I’ll set it aside because I wouldn’t trade publication with the best publishing house in the world or my book selling millions of copies and being made into a movie for the moments I’m collecting and turning into memories.

In Our Hands

I’m always saving my pennies to purchase books, so I rarely spend money on seeing movies.  Well, that and the fact that I like to support my local library by checking them out.  With that being said, I still didn’t have to dig in to my Mason jar of book funds thanks to the generosity of my Aunt Deniece.  She bought tickets for me and my son to see In Our Hands.

In Our Hands is the docudrama commemorating the 50th Anniversary of Israel’s Six-Day War.  The movie features historical footage, personal interviews, and professional reenactments celebrating Israel’s 55th Paratroopers involvement in the battle for Jerusalem.

The barely twenty year-old nation of Israel staved off extinction at the hands of surrounding Arab nations determined to wipe Israel off the map.  Israel’s defense forces risked everything, taking on better equipped, larger military forces, for the sake of their homeland.  The unexpected Israeli victory returned the Jews to the Old City of Jerusalem and the Western Wall of the old Temple.  Israelis celebrate Jerusalem Day every year in honor of the sacrifice made in June, 1967.

The title of the docudrama comes from Lt. General Mordechai “Motta” Gur’s famous statement broadcasting that the “The Temple Mount is in our hands!”  The movie does a wonderful job recreating this scene sure to give anyone goosebumps.  Equally miraculous is the scene of Israeli soldiers praying the Shema at the Western Wall.

I highly recommend viewing this amazing, must-see movie.  I’m pretty sure I’m going to have to own this one.

Florence Foster Jenkins

florence-foster-jenkinsPer my aunt’s suggestion, I recently watched Florence Foster Jenkins starring Meryl Streep, Hugh Grant, and Simon Helberg. I went in with the expectations of a hilariously funny movie, and there were some humorous moments, but overall I found it to be quite sad. In between cringe-worthy scenes where the protagonist made a fool of herself was a deeper story of love and friendship, passion for one’s chosen art form, and the true definition of success.

As usual, Streep gave a charming performance reminiscent of her Julia Child in Julie & Julia. Streep’s Julia Child was a large, somewhat zany woman who kept her focus on what she wanted and proved her abilities. As Florence Foster Jenkins, Streep portrayed a large, somewhat zany woman who kept her focus and ended in total embarrassment due to her overwhelming lack of talent. Not much of a stretch there except for different professions.

I don’t know if it was my parent’s high-definition television, which shows every unflattering flaw, or makeup, meant to create said flaws, but Hugh Grant, who did a decent job in the role of Jenkin’s husband, didn’t look so good. True, it’s been years since his performance in Love Actually, however, I choose to remember him as the intelligent, slightly sexy Prime Minister. Maybe because of his appearance in Love Actually, I had a hard time believing him as the weeping husband at the end of the film.

What truly made the film enjoyable for me was Simon Helberg. While I’ve always appreciated him as Howard on The Big Bang Theory, what a lovely surprise it was to see him act far beyond this role. Helberg’s Cosmé McMoon delighted with facial expressions and tones of voice that conveyed much more than the lines he spoke. As I watched him, I sensed that I’d seen his performance somewhere before. The longer I scrutinized, the more I had déjà vu regarding his portrayal of McMoon. Where had I seen this level of acting that was mysterious, charismatic, and quirky all at once?

Then it suddenly came to me. Helberg must have been channeling Gene Wilder because I’ve never seen anyone who could tantalize with just a twitch of a smile or flicker of the eyes the way Wilder did, and yet Helberg captured it perfectly and brilliantly. From that moment on, it was like I was watching Wilder himself. I have decided that Simon Helberg absolutely must remake Charlie and the Chocolate Factory.

When Gene Wilder passed away last year, my heart was broken. Now I believe I’ve found a way to overcome that grief and recapture the magic of Willy Wonka & the Chocolate Factory. I know a remake exists, but it misses the mark in too many ways to count. No offense to Johnny Depp, but he’s Jack Sparrow, not Willy Wonka.

Now, one of my life’s missions is to stalk Simon Helberg on social media until I can convince him to take on the role of Willy Wonka. I’m sure he’ll agree that it must be done. He alone can reach back into our childhoods and recreate all the thrilling enchantment we experienced the first time we saw the movie.

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