For Love of Country

I’m writing my blog post for Memorial Day one day late because most Americans were busy yesterday with picnics and parades. That is certainly not a criticism, so please don’t take it as one. In fact, my hope for every person reading this post was to have been surrounded by loved ones doing the activities you enjoy. But again, quite a few of us were busy yesterday, so I hope you have time now to read what I write because it may present information of which you were not aware.

Did you know that the Civil War, which ended in the spring of 1865, claimed more American lives than any conflict in the history of the United States? The first national cemeteries were established to provide final resting places for the many soldiers who died in the war.

Americans began the practice of decorating these fallen soldiers’ graves with flowers and reciting prayers during springtime tributes in the late 1860s in various towns and cities. No one is sure where this tradition originated because different communities may have started the memorial gatherings independent of neighboring towns.

In 1966, the federal government declared Waterloo, New York as the official birthplace of Memorial Day. Waterloo first celebrated memorial services on May 5, 1866, and the town was chosen because it hosted an annual, community-wide event. All businesses closed and residents decorated the graves of soldiers with flowers and flags.

These days, businesses stay open and Memorial Day is often seen as simply marking the beginning of summer. Most Americans wish each other Happy Memorial Day, but I’m not quite sure that’s appropriate. And at the risk of becoming a little more somber, let’s not forget that the day came out of a conflict in which brother fought against brother. Still, if I make you pause for just a moment to realize how blessed America and Americans are, then I’ll take the risk.

War is never good, and America is not perfect. But since we have Memorial Day, I’d like to offer some suggestions on how to observe it. Cub Scouts and Boy Scouts decorate the graves of local soldiers with American flags. I’m sure they’d gladly welcome non-Scouters who wish to honor the fallen.

Visit nursing homes and seek out veterans. Use caution when talking about their war experiences, but by all means, encourage them to talk about whatever interests them. Keep in mind that your own neighbors may be veterans, so offer to cut grass, cook a meal, or run errands for them. Please don’t rule out young veterans. They have needs, too. Remember, not all wounds are visible; use love and wisdom in every situation.

Don’t forget the family of soldiers who are currently serving. Your kind words and offers of assistance will go a long way. It doesn’t take a lot of money to show compassion. Babysitting, washing dishes, or simply visiting a lonely spouse will help to ease the void left by a serving soldier. And since we’re Americans, and everyone knows Americans love their pets, don’t forget to walk the dog or brush the cat of a serving soldier or elderly or disabled veteran.

Widows and widowers of fallen soldiers may be the hardest to detect especially if you weren’t already aware of the fact that she or he was married to a soldier. When you do find out, gently encourage the surviving spouse to remember their fallen loved one. Sharing memories is a great way to work through the grieving process.

When you see a stateside soldier, shake his or her hand and offer thanks for his or her service. If you’re able, offer to buy that cup of coffee he or she just ordered, the lunch he or she sat down to eat, or his or her groceries on the conveyor belt ahead of yours. And if you’re not able, consider giving your place in line to the soldier behind you.

I hope this doesn’t come across as preaching. These are just suggestions, and I’m sure you can come up with many more. The thing is, it isn’t just on Memorial Day but rather every day that we need to be serving each other. I have to remind myself more than I care to admit that I should be serving others. Memorial Day is one of those days, not unlike Thanksgiving, when I’m reminded to do just that.

Prepare For the Future by Studying the Past

I have never wanted to distance myself from a book as much as I have Anchee Min’s Becoming Madame Mao. I have never wanted a book to end as much as this truth-is-stranger-than-fiction novel documenting the transition of Yunhe to Lan Ping to Madame Mao Jiang Ching. Anchee Min’s bio on the jacket flap states that she “has a personal connection to Madame Mao.” As a young woman, Min was recruited by a talent scout for Madame Mao’s Shanghai Film Studio. I wondered how her close proximity to Madame Mao shaped the story and which parts might have been revealed confidences and which were romanticized imaginings. In either case, there is absolutely nothing about Madame Mao to admire.

The novel initially drew me in with a prologue told in points of view alternating between a third person omniscient narrator and the young woman who would become Madame Mao. The dual storytelling was a refreshing and intelligent approach to revealing the tale as the reader is given an outsider’s view to Madame Mao’s story and then drawn into her perspective complete with emotions and desires, inner details and thoughts. And that is where the good in this book ends.

The woman who became Madame Mao did indeed have a horrible beginning to her life. It marred her existence with overwhelming amounts of insecurity that would haunt her forever. She combatted her fears by throwing herself into her one passion: acting. This allowed her to constantly transform herself into who she needed to be to survive. As heroic as this sounds, Madame Mao never learned grace or forgiveness. Instead, she used China as her stage, cast herself as the leading lady, treated the people of China as mere props, and was nothing more than a lying manipulator who destroyed anyone in her way.

Revenge against people she disliked ended in imprisonment and murder. Actors and politicians who snubbed her, regardless how of long ago the supposed offense took place, found themselves on Madame Mao’s hit list. Jealousy for any woman in a stable marriage, especially if the woman’s husband was close to Mao Tse Tung, poisoned her mind and her actions. She was evil personified, and I cannot feel sorry for her.

The novel has Madame Mao claiming she conducted herself as she did for love. Her twisted version of love was to insert herself in a situation where her affection quickly faded in the face of her true desire to achieve power and rule. Another claim was that she was helpless to act any other way than how she did, and she points the finger back at Mao when she said, “I was Chairman Mao’s dog. I bit whomever he asked me to bite.” She only did this to maintain his favor in the hopes of ruling after his death, and I believe that the cowardly act of denying responsibility for her own actions makes her even more despicable.

As troubling as the history of this psychotic, vindictive woman is, what I find more disturbing is the fact that the history appears to be repeating itself in America. And it’s not even our history. The battle for control of media outlets is one such example. The novel has Madame Mao stating “I feel the power of the media. The way it washes and bleaches minds.” All other forms of media were illegal except her operas, ballets, and films which pushed Mao’s Communist agenda.

America hasn’t reached the level where a simple family feud between a child and a step-parent can end in public humiliation, imprisonment, torture, and death, but every day the news and entertainers denounce major political figures based on rumor and imagination. I fear the “get evidence and produce witnesses” order of Madame Mao’s day is not far off.

Another familiar tactic I recognize was when Madame Mao, together with her husband, upended China by gaining control of the students. Their young impressionable minds were subject to the manipulation, and the Maos made no secret of the fact that they intended to get the students on their side with rallies and speeches meant to whip them into a frenzy of action.

Of course, this begs the question of action toward what end? When looking for understanding and clarification, Marshal Tan Zhen-lin asked Mao, “What is the Cultural Revolution if its goal is to abolish order? Why torture the founding fathers of the republic? What’s the point in creating factions in the army? To tear down the country? Make me get it, Chairman.” Mao responded with a tirade about not allowing anyone to stop the Cultural Revolution, fully supporting the Red Guards, and endorsing chaos and violence as a means of achieving some arbitrary goal. The question of what’s the point, what’s the purpose was left unanswered.

The portion of the reign of terror perpetrated by Madame Mao made her an empress ruling on the ashes of China and the Chinese people. She was at the forefront of the destruction from within. Twenty million lost their lives to this madness. Her place beside the likes of Mao, Hitler, and Stalin is forever secured in history.

Baring My Writer’s Soul – Part 23

Recently, at my writer’s group, a fellow writer who is beginning her chosen art form told me that she was advised to not write above an eighth-grade level.  I remember several seconds of stunned silence between us before I asked, “Who told you that?”  Based on her troubled countenance, I don’t doubt that the horror of this suggestion came through in my tone.  I’ve also been told that my facial expressions convey exactly what I’m thinking, so I hope I didn’t overwhelm the poor woman with my response.  I wanted her to run screaming, just not from me.  If I didn’t scare her off, I’ll make sure I soften my reactions when discussing such matters in the future.

Still, I am shocked that this type of bad advice is floating around writer’s groups.  The last time I checked, there were still twelve grades a student in America needed to complete.  Somebody please tell me if the progression of education stopped at grade eight.  That would mean my child, currently a senior, has read nothing beyond an eighth-grade level for the past four years.  That’s insane.  Then again, I recall the small heart attack I experienced when I saw Stephenie Meyer’s The Host on the high school reading list.  Which piece of classic literature found itself guillotined at the inclusion of that piece of tripe?

I have suspected for a long time that the art form of writing was under attack.  My fellow writer’s comment confirmed this.  So when did the dumbing down of American literature begin?  I don’t know if I can actually pinpoint the precise moment it occurred, but I can tell you the moment I became aware of it.  (And shame on me for not being more vigilant if it took place sooner.)

Dumbing down is the deliberate oversimplification of intellectual content within education, literature, cinema, news, video games, and culture in order to relate to those unable to assimilate more sophisticated information.

I remember the day I saw a t-shirt printed with the statement “underachiever and proud of it.”  I had another moment, not quite as intense as that with my fellow writer, but one in which I was completely baffled.  I could not fathom a person or society comprised of people who willingly settled for mediocrity in anything and a world in which one did the bare minimum to get by.  There is no hope of success when one functions under such a principle.

And yet, this is exactly where we, as a society, have fallen twenty-five years later.  It’s as if those who bullied the smart kids for hanging out at the library weren’t content to just harass their fellow students.  They wouldn’t stop until the smart kids not only condoned but encouraged this stagnation of the intellect.  If you don’t get on board—don’t hold yourself back from seeking knowledge or temper your drive and ambitions—you’ll be labeled  a snob in the least and intolerant at the worst.

So again I ask:  why this attack on art?  Because art is dangerous.  Art tells the truth.  Artists are freethinkers who challenge the status quo.  It was a novelist and playwright who said, “The pen is mightier than the sword.”  A gold star to anyone who can tell me who said this.  Here’s where the problem of proud underachiever comes in.  The generation in which this concept became acceptable doesn’t care enough to find out who said the above-mentioned quote or what the quote even means.  They are too lazy to want this information for themselves and are disdainful toward anyone who does.  If it isn’t required of them in school, and based on the poor quality of curriculum in American schools I doubt that it is, they won’t reach out and grasp the knowledge.

That’s pathetic when you consider that we live in an era where knowledge is readily accessible.  No more searching through the card catalog or plowing through large volumes of encyclopedias.  You don’t even have to go to the library.  Just ask Alexa, Cortana, or Google what you need to know from the comfort of your couch.  Be sure to wait until the commercial or you’ll miss the best part of your favorite recorded TV show.

What troubles me about his indolent attitude is that it’s creeping backward and contaminating older generations.  Hopefully it won’t pollute the writing of those already established and feeling pressured to churn out more or older writers just beginning to pursue their passion.  As for me, I am personally committed to fighting this process of dumbing down by writing the best literature I can and by seeking to improve myself in every way.  I am not afraid to compete, to go for the gold.  After all, why run the race if I don’t intend to win?

I’ll most likely be among the first to die if America ever succumbs to an oppressive regime because we all know how much tyrants fear artists.  But If I can leave behind a written work that the next generation, possibly the survivors, smuggle from home to home and hold up as an example of what they should strive for, then my art—my writing—will not have been in vain.

The Many Deaths of the Firefly Brothers

Have you ever read a book so good that you wanted to rush through it because you couldn’t wait to see how it ended only to stop the last three to five pages before the end because you suspected that it was about to finish on a heartbreaking, bittersweet note?  I have a feeling The Many Deaths of the Firefly Brothers is going to haunt me for some time, but that’s all right because while I’ve read many good books lately, it’s been a while since I had one that stayed with me as this book did.

I suppose the reason this book affected me is that I couldn’t help looking at it from the romantic’s perspective.  The story is quite surreal, not fantasy and not science fiction, but written in such a way that I could completely suspend belief about what took place to the point that the story totally engrossed me.  Not to mention that Thomas Mullen is a natural born storyteller.

Mr. Mullen seamlessly weaves history from the Great Depression and the 1920s and ‘30s into his novel.  He also intersperses the stories with mention of famous gangsters like Bonnie and Clyde, Baby Face Nelson, John Dillinger, Machine Gun Kelly, Pretty Boy Floyd, and the Barker Gang.  One can’t help getting caught up in daring bank robberies, wild police chases, the brokenness of the Hoovervilles, and the tenacity of the G-Men.

But then Mr. Mullen blurs the lines ever so slightly when these gangsters, along with his own fictional Firefly Brothers, earn legions of fans across the country for sticking it to the banks that foreclosed on property of poor, struggling farmers.  True, their craft was an art, but they were also murderers living high on the hog whose charity extended to them first and their families second.  Past that, most of what they did was pure myth.

So how does one separate fact from fiction, truth from lies, and good from evil when the intimidating fingers of governmental control was more than implied in this somewhat prophetic tale?  Factor in the development of what became the FBI under J. Edgar Hoover, and it was like I read headlines from today regarding the American government and the NSA.  Perhaps we really are doomed to repeat history when we forget it.

And if you think I’m exaggerating the prophetic nature of the story, consider the following passage:

Part of the Bureau’s job, the Director had always explained, was to dictate reality—to investigate reality, fully understand it, and then, under the aegis of Mr. Hoover’s vigilant public persona, explain that reality to a public cowed by the depression and frightened by stories of gangsters and increasing lawlessness.  It was the Bureau’s job to reassure people that these shockingly hard times were merely speed bumps along the shared path to prosperity, and not a sign that the nation was spiraling into anarchy and madness.

I believe today we call that fake news.  What struck me about this passage was that even if J. Edgar Hoover never said these exact words or acted this way, even in 2010 when the novel was published, Mr. Mullen had understanding of where America was headed.  No doubt based on where we had already been.

At first I thought the novel promoted a lack of hope and something to believe in, but with further reading, I realized it toggled between this and hoping against hope to believe in the impossible as a means of survival.  Such amazing insight into the human condition and an unexpected source of inspiration from a novel is rare.  Another pleasant surprise was the concept of forgiveness, for others and for self, subtly entwined into the tale.

Long before I finished reading, I realized I was experiencing what I could only call a Literary Stockholm Syndrome in which I wanted the bad guys to succeed in their struggle against failure (whether real or perceived), to reconnect with their true loves, and escape.  I mentally pleaded with them to find their women and just disappear.  Nothing they were doing would actually work in the end, it was no longer about seeking justice, and they would most likely end up dead.

I’ve mentioned before how I wished an author would have finished a novel on a clearer, more positive note or would consider writing a sequel to undo the heartbreak and let me know beyond a shadow of a doubt that a happy ending took place (Is It Ever Too Late?).  I mulled these thoughts over again at the end of The Many Deaths of the Firefly Brothers.  Until Thomas Mullen tells me otherwise, I’ll wish for the impossible and believe in a favorable outcome.

Angela’s Ashes by Frank McCourt

I recently read Angela’s Ashes by Frank McCourt.  If you follow me on Goodreads and you’ve read the book, you might think I’m rather rigid in my assessment of the memoir.  I’ve read other fiction and non-fiction accounts of the Great Depression in America as well as extremely poor people in Ireland, Appalachia, and other such places, and I must say that for a Pulitzer Prize winning memoir, Angela’s Ashes did not strike me as exceptional in any way.

I’m not sure why the book is titled as it is when the story is predominantly about McCourt’s experiences as a child.  His parents’ courtship and marriage prior to his arrival was necessary to set the stage for what the entire family would endure due to his father’s alcoholism and eventual abandonment, but again, the bulk of what one reads focuses on young Frank.

The prose is pleasant (riddled with Irish slang, sayings, and swear words galore), but nothing poetic or beautifully descriptive.  Sometimes dialog is properly placed between quotes and employs commas, periods, or question marks where necessary, and other times it’s buried in long paragraphs of run-on sentences.

One saving grace from all the depressing tales McCourt relays is the hilarity of the situations he’s writing about.  The thing is, the humor is derived from circumstances that are simultaneously horrific.  Yet the reader has to laugh because the truth is almost unbelievable.  Sadly, some of these dreadful circumstances include the way adults in the story treat McCourt, his siblings, and friends.

It’s unacceptable when adults express the depth of frustration, prejudice, and ignorance-born hatred toward each other that McCourt conveys, but children should never have to suffer at this level.  Educators, employers, priests, nuns, relatives, and hospital administration inflict verbal and physical damage on par with child abuse.  It’s a wonder any child living in these conditions turned out normal.

Near the end of the book, Angela McCourt finally takes the self-sacrificing initiative to do something for her children’s welfare.  Prior to that she tolerates her alcoholic husband’s actions to the extreme detriment of her family by keeping her abuser front and center in her life.  Perhaps it was the era in which the story takes place, perhaps it’s that divorce still carried the stigma of shame back then, perhaps it’s that Angela suffered from some type of battered-woman syndrome (hers being in the form of neglect beyond all reason), but because she refused to rid their lives of her worthless husband’s presence, they underwent shame to an equal degree anyhow.

There comes a point in the book when, in my opinion, McCourt rushes through years thirteen to nineteen because to tell it in any more detail would read as more of the same depressing ground already covered over and over and over.  Things turn around for young Frank ever so slightly; he hops a boat to America, end of story.

I’d like to say that Angela’s Ashes is one of those books that just shouldn’t be missed, but I can’t.  I’m not sorry I read it, but if asked whether or not it is a worthy read, I’ll probably shrug my shoulders, suggest the reader try it, and make up his or her own mind.

Don’t Drive So Fast That You Miss Life

I wish I had listened when people told me to remember these days.  They were speaking of the days when my son, Joshua, was little.  And I did remember quite a lot; I have the scrapbooks and an entire room devoted to the production thereof as proof.

There was a time when I just wanted a few more moments of sleep, to eat my meal while it was still hot, or to sit down and read a book or watch a movie in the silence and peace I used to enjoy prior to a child.  As recently as yesterday when I sent Joshua to the school on his mountain bike to pick up his work permit so I could shower in preparation for taking him for a haircut so he’d look great for the picture on his temps then down to the BMV to get said temps then running home to make lunch before hubby left for work then cleaning up and staying put so Joshua could finish mowing for his dad and using the time to write a thank you note, put in laundry, and type up a synopsis for my current WIP then rushing off to buy pants for the job he started today, I thought to myself how much I want my life back!

Prior to that was all the running to obtain a birth certificate for the job and temps and work permit (I told him to have this stuff finished before school let out for the summer) as well as the three days it took him to get himself in gear to do everything listed above (I’m trying to be a hands-off parent as he matures).  There’s a DVD of Persuasion on my countertop begging to be watched, a book to be finished, and don’t even get me started on how I haven’t written anything toward my current WIP or my blog pretty much since school ended.

This summer has been crazy.  And really, I’m not complaining, but I wish I people who had said remember these days had also warned me that although children become more independent as they get older, in many new ways they are still quite dependent.  What I used to do for Joshua was contained to our little world, our home.  Now I’m pretty sure I’m trekking across America several times a week getting, taking, and doing for this kid.

My joyous internal screams were probably felt as shock waves in most of Ohio when Joshua told me he had job orientation from eight to three on Thursday and Friday.  What?  I’ll have two whole days to write and read?  Thank, Adonai; truly You are merciful.

Josh woke me at seven thirty to take him to work (Recall, he only has his temps since yesterday, and tonight will be the first night of driving lessons).  I asked all the motherly questions from did you take your allergy pill and brush your teeth to do you have your ID badge and lunch packed?  My questions were greeted with one-syllable, monotone affirmations.

I drove him to work and stopped a little way from the front doors so as not to embarrass him.  And then I watched my baby walk away.  And I wanted to jump out of the car and convince him to come home with me where I’d make him all his favorite foods, and we’d watch all his favorite shows, and then go to Kame’s to look at hunting gear, and visit Sweet Frog for yogurt, and if he was still hungry (which teen boys always are) we’d go for burgers or pizza.

Yes, this summer has been crazy.  I’ve hardly written at all since May.  When I pulled into the garage after dropping off Josh, I looked beside me and saw his lunch on the drink holders where he’d forgotten it.  I’ll be taking that to him around noon.  If I’m lucky, tonight after his driving lesson, we’ll go for a drive with me at the wheel.  It’s a habit we started in the evenings as the sun is going down.  We just pick a direction and drive until it gets dark or we’re tired.  Josh and I talk about everything during these drives, and the other day he told me how much he enjoys them.  I don’t believe he realizes that as I drive he places his hand lightly over mine where it rests.

I know things will calm down once school starts at the end of August.  My routine will be restored, and my writing will flourish.  For now I’ll set it aside because I wouldn’t trade publication with the best publishing house in the world or my book selling millions of copies and being made into a movie for the moments I’m collecting and turning into memories.

Operation Hailstone

While my protagonist, Dr. John Welles, and one of his best friends, Dr. Sam Feldman, joined the Army as civilian doctors to participate in the European Theater, his other best friend, Claude Willoughby, joined the Navy as a pilot to serve in the Pacific Theater.

In my novel, The Secrets of Dr. John Welles, Claude and his wife, Patsy, move to California after suffering a personal tragedy.  Patsy spends her days volunteering in a pediatric ward to work through her grief, and Claude obtains a pilot license to keep his mind off their loss.

You’ll find previous research I used to create Claude’s experience in the blog post Straighten Up & Fly Right.  Today’s post is in regards to Claude’s involvement as a World War II Navy pilot flying in the battle for the Caroline Islands.

Japanese troops occupied the Caroline Islands in 1914 during World War I.  After the war, Japan received a League of Nations mandate over them.  However, the League of Nations imposed restrictions on Japan between 1914 and 1933.  During this time, Japan was not able to build up the Caroline Islands for military purposes.  In 1933, Japan’s withdrawal from the League of Nations gave her the freedom to do just that.

Prior to the Pacific War, the atoll of Truk was built as a forward naval base.  It had five airfields, several seaplane and torpedo boat bases, and repair facilities.  During World War II, a radar station was also constructed.  It also served as an anchorage in favor over Ulithi Atoll.

The base at Truk was destroyed in February, 1944, by American airpower in Operation Hailstone, and was cut off for the remainder of the war.  The attack by the United States involved a combination of airstrikes, surface ship actions, and submarine attacks over two days.  The Japanese appeared to be completely taken by surprise.  Operation Hailstone is sometimes called the equivalent to the attack on Pearl Harbor.

Several daylight and nighttime airstrikes against the base at Truk employed fighters, dive bombers, and torpedo aircraft in attacks on Japanese airfields, aircraft, shore installations, and ships in and around the Truk anchorage.  American surface ships and submarines guarded potential exit routes from the island’s anchorage with the purpose of preventing any Japanese ships from escaping.

The Caroline Islands became part of the Trust Territory of the Pacific Islands administered by the United States after the World War II.  The Federated States of Micronesia was formed in 1986 and gained sovereignty over the Caroline Islands.

Brothers by Yu Hua

brothers-by-yu-huaWhat I loved about Brothers by Yu Hua is that within the pages of one book I found a story that made me laugh and cry over and over. The tale is both horrifyingly dark and twisted, but with seamless transition, Yu Hua writes some of the best comic scenes I’ve ever read. Life in America for the past eight years has made it possible to understand the absurdities about which Yu Hua writes, and for this reason, they are believable.

The story of Baldy Li, one of the most memorable characters I’ve encountered in fiction, and his brother, Song Gang, opens right before Mao’s Cultural Revolution. Scenes in which neighbors are unified in a common cause or belief and turned into enemies the very next day are chillingly similar to what is happening in the world today. When Yu Hua writes about Li Lan’s, Baldy Li’s, and Song Gang’s grief over the death of Song Fanping, I thought my heart would rip in two so great was their anguish.

The two definitions of stupidity (knowing the truth, seeing the truth, but still believing the lies, and doing the same thing over and over and expecting a different result) often came to mind while I read Brothers. I’m watching the premise of the story take place right in front of my eyes as the youth of America believe they can make certain political systems work in their generation even though overwhelming evidence of failure exists in other countries. I have to wonder if they’ve forgotten the past or are purposely not being taught. In either case, we’ll all be doomed for it.

The story is engaging based on the time period and cultural differences. Yet the prose is so simple that I have to wonder if this is due to the translation from Chinese to English or if the author chose to keep his words plain. In either case, his writing style works. Another thing I noticed while reading this translation was the repetitive nature of the writing. I’ve only encountered this in one other translation, Haruki Murakami’s 1Q84, and I wonder if this is a style particular to Asian writers. I find it lends emphasis to details and storylines.

Yu Hua broke the rules of writing brilliantly by not following plotting formulas. Two ways in which he did this was by the introduction of a new character and storylines in the last one third of the book. Not surprisingly, the pacing of the novel was not interrupted, and as a reader I wasn’t jarred out of the book. Obviously, Yu Hua writes for intelligent readers, and in this way, it reminded me of Dumas’s The Count of Monte Cristo with its large cast of characters, interwoven storylines, and backstory. In both cases, readers willing to stay with the book to the end will absolutely not be disappointed.

I know the book was written as a criticism on political systems and to show all the evil and craziness that stems from them. I found my interest focused on the relationships of the characters enduring life under the various political systems and how their relationships were further affected by their personalities which dictated how they reacted to circumstances and each other.  I came to the conclusion that all one can probably do in such a situation is be kind, work hard, and do no harm.

Despite the depth of the tale Brothers presented, as I said there were some hilarious moments including a chicken search party, Yanker Brand underwear, and actual blind men drawing blind conclusions. But again, that’s part of Yu Hua’s ability to make a reader laugh while getting his point across. The best line though was probably Yanker Yu explaining politics to Popsicle Wang when he said, “…comfortable circumstances breed freethinking, which is why the rich love politics.” I laughed aloud as I shuddered thinking how stirred up the politicians are keeping the world.

Too Tired to Rest

too-tired-to-restThe reel of unseen dreams flickers her eyelids as the man who has slipped into her room watches. A crescent smile glides across his face like a canoe trailed by ripples of worry. Deep within her consciousness, she senses his presence, and the blue eyes marred by clouds of age slowly open.

“Hello, Grandma.”

One, two, three seconds pass as recognition surfaces. Her face, soft as worn flannel, bunches around her eyes and mouth.

“Hello, Freddy.”

Her equally soft hand pats his sandpaper chin.

“I know I haven’t been to visit you as often as I should, but…”

“No apologies, sweet boy. You’re here now.”

“I came to spend Shabbat with you, Gram.”

The old soul leans forward in her bed, peers out the window.

“Seems a little early yet,” she says.

“Well, Mom says you’re asleep by seven, and the summer sun sets so late.”

“Cheeky devil,” she chuckles, again patting his face. “Go ahead and light the candles. Fetch my shawl from the drawer—no, that one, Freddy, the next one down—and I’ll say the blessing.”

Fred complies with her request, draping dark blue silk around her head and shoulders. Daylight blasts hot and bright through the windows of her room in the nursing home; her white crowned head swathed in navy gives the appearance of the moon in the night sky. He lights two candles in cut glass holders, and the sun withdraws its spears behind linty clouds.

Elsa Cohen breaths as deeply as her ravaged lungs will allow; she wheezes like a broken bellows, drawing withered hands above the dancing flames, the ancient prayer she recites flowing like new wine. When she finishes, she looks up into her grandson’s drum-tight face.

“Why so troubled, Freddy?”

“I don’t know, Gram. I’ve been feeling kind of…melancholy lately?”

“Are you asking me?”

“Well, no.”

Elsa pushes the shawl off her head, smooths the fabric around her shoulders.

“It’s just that, I haven’t been keeping Shabbat lately either, Gram.”

“I see.”

“Do you?”

“No, that’s just what people say when they’re giving you time to collect your thoughts and tell what’s on your mind. Spill it, Freddy.”

“Oh…uh, well, I haven’t been keeping Shabbat because…because it’s really hard to do in today’s society, you know? I mean, living in America and all, well, people don’t stop, like, working and stuff at sundown on Friday until sundown Saturday.”

“Oh gosh, people don’t even stop on Sunday anymore either.”

“That’s true.”

“I remember when you were little that gas stations and stores were closed on Sunday, and all the good people went to church, and everyone rested.”

“We live in a ‘round the clock kind of world these days, Gram.”

“That we do. How’s that working for you, Freddy?”

“What do you mean?”

“When you visited three months ago—”

“Ouch.”

Elsa waves him to silence.

“You said you and Margaret were so exhausted with long hours at work, running errands, shuttling the kids from here to there.”

“Well, I don’t see how taking a whole day off to do nothing is going to help any of that, Gram. Wouldn’t that just put us more behind?”

“Do more on the other six days. Totally run yourself into the ground. Or you could save up all your Shabbats until retirement and lay around doing nothing for ten years.”

“Gram, be serious.”

The old woman chuckles until she coughs. Fred leans her forward and delivers firm pats to her back. Her nightgown is a floral landscape across the sharp ridges of her shoulders. Once settled against her pillows, she continues.

“You have to decide for yourself, Freddy, why you do or don’t do these things.”

“Wouldn’t it be easier if you just told me what to do?”

“What fun would there be in that? Besides, there’s no guarantee you’d do it just because I say so.”

“It was so much easier when Grandpa was alive. We all met for dinner at your house and followed his lead.”

“Fredrick—Shabbat hasn’t gone by the wayside just because your grandfather died. Everything that is good about it is still with us. My goodness, dear boy, for one so educated, you sure are stupid.”

Fred can’t keep from laughing at his little grandmother’s spoon-blunt words cutting him sharply.

“Okay, Gram, I get it.”

“Are you sure? Because I could spell it out for you. Use pictures and small words.”

He kisses her forehead like she is his child.

“I love you, Gram.”

“I know, Freddy. Now take that box of candy over there your mother sent me—she knows I can’t chew caramel and nuts anymore—and go home to your family. Rest, my boy.”

Elsa snuggles into the blankets her grandson pulls up over her chin. Her eyes flicker as the dream scenes resume, and she is asleep before he crosses the room to leave.

What I Like About Being an American

What I Like About Being an AmericanI developed an interest in Indian cooking after watching the movie The Lunchbox. The main character, Ila, infused her cooking with beautiful, artistic expression in the form of spices. I enjoyed watching her hands move as she seasoned her culinary creations without the benefit of measuring spoons. Her spice box caught my attention and held my interest.

I mentioned this to a former co-worker, Bina, who is Indian. She was surprised that I enjoyed the movie, and we had a lovely discussion on Indian food. She suggested the movie The Hundred Foot Journey which further fueled my desire to learn Indian cooking. Bina invited me and three co-workers to her home for an introduction to the world of Indian cuisine.

One of the first things she explained was masala. I assumed masala was a set combination of spices used in a particular recipe. I had seen garam masala and madras masala in markets selling exotic foods. However, like curry, masala changes depending on the country and regions within said country. Bina didn’t own anything among her spices bottled and labeled masala. What she had were individual spices that she knew how to blend perfectly without measuring to create the flavor the recipe required.

Still, I didn’t quite understand masala, but I kept Bina’s comments and instructions in mind, specifically when she said she has a dessert masala, a chicken masala, and a vegetable masala. I Googled a few Indian recipes and tried them. They were good, and many of the spices Bina owns and uses were featured, but something was missing. My desire to cook Indian food was stifled by a concept I wasn’t grasping. I took a break from pursuing it and kept making recipes with which I am familiar.

One day I decided to make chili for dinner. When it came time to season the chili, jars were opened and contents sprinkled over the simmering pot until the quantity on the surface looked right and I stirred them in. A little tasting, a few more dashes of this or that, and I allowed the chili to simmer for a while. I always taste again before it’s completely cooked just to see if the flavors are balanced and add anything as needed. That’s when it hit me: the combination of spices I used was my chili masala which I return to every time I make it. I know how chili should taste to me, but I’m sure if I visited Texas or other chili-making regions of America, I’d experience other spice combinations.

I laughed to myself as my favorite seasoning combination for chicken came to mind. Then I realized I had been on the cusp of understanding the beautiful concept of masala several years ago when I attempted to swap ground ginger for fresh. The ground variety tastes savory and what I describe as classically American. Think Thanksgiving. But the recipe I was making needed the lemony zestiness of fresh ginger, that classically Asian flavor, because I was cooking a Chinese dish. Herbs de Provence is another example of a spice combination that will reflect the nuances of the person cooking with it. Just like masala, there are some spices that will always appear in the mix, but people love to alter it based on their preferences or just to add a dash of mystery.

What I Like About Being an American 2What I learned about masala, about seasoning food in general, is why I like being an American. Where else can you experience a merging of cultures that bring amazing culinary skills from their own countries so that everyone can enjoy them in one place? The great American melting pot starts in our kitchens and ends with the united flavors of America. I have returned to Indian cooking, and while I use the spices to which Bina introduced me, I suspect that my masala may not taste exactly like what she would expect. But that’s okay.

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